I've been teaching several classes online for a local film school for the past few months: production design, history of styles, SketchUp, storyboarding, and freehand sketching, and have found that the one thing that engages them more than anything else, in every class, is relevance. As in relevance to making films in the real world.
The students are mostly college-age, and feeling cabin fever as much as anyone else. So, for instance, showing them how to design a set, by itself, is pretty blah, but really making them think about how the set would help create the correct environment for a real movie makes a huge difference. So we look at real movie sets and why they worked, and then work from a real screenplay to develop a design. Same with my SketchUp class, which is strictly about how to use the software, not about designing the set. So we work from a set (or part of a set), hand-drawn in the production design class, and they learn how to translate it to a 3D model. So far we've done a catacomb, an Egyptian tomb, two spaceship interiors, and a space station.
The one that really surprised me was the "History of Styles for Production Design" class, which is basically architectural history, a pretty blah subject unless you're interested in architecture. I wasn't expecting much interest. But by tying it into understanding and researching the period for the purpose of creating a set for a movie, and talking about how the styles tied into history and technology, and how they often overlapped and influenced each other, and how movies have often adapted historical styles (or created new ones) to fit the story, the class has become popular and gets a lot of participation.
Hope that helps a bit.
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George F. Ledo
Set designer
www.setdesignandtech.wordpress.comwww.georgefledo.net------------------------------
Original Message:
Sent: 09-16-2020 21:54
From: Julie Benitez
Subject: Stagecraft/Tech Theatre Remote
www.teachtechtheatre.org
This has several weeks of virtual technical theatre activities that did use a kit sent home, BUT depending on your student base, could easily be done with things at their homes. As a free member, you have access to the lesson plans--there are plans on set, costume, lights, and the elements/principles of design that can fill a virtual semester. The first round of them are focused on design in everyday life and there will be more that are more pointed to theatre proper coming. My students are about 20% wanted to build or paint and the rest found this class on their schedule, so I am taking the design in YOUR life first before connecting it to THEATRE proper.
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Julie Benitez
El Cajon CA
Original Message:
Sent: 09-16-2020 07:10
From: John Litten
Subject: Stagecraft/Tech Theatre Remote
Friends,
I'm trying to implement my Stagecraft curriculum remotely and by and large the results have been eh. At my school, Stagecraft class is a mix of students. I have 41 in my class. 1/4 want to be scenic painters, 1/4 just want to build, and 1/2 of the student body were basically dumped on me and are showing very little interest. With my English classes, drama classes, and stagecraft, I'm being pulled in multiple directions and am having difficulty locating or creating lesson plans to meet my students' needs. Can anyone share with me lesson ideas that have worked in your stagecraft classes? It would be nice to get a few "wins" under my belt. Thanks so much!
Warmly,
John
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John Litten
Walnut Creek CA
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