Not negative, practical. In other words "design backwards." As well as 'what do you hope to accomplish', what facility and resources do you have available to you. For instance, you can teach the theory of light all you want, but if you don't have a lighting system, then the students can't apply it to the real life situation of a play. You can teach flat building and paint texturing techniques, but what if you have nowhere to build sets? You can teach about sound waves and feedback theory, but what if you have no mics and no sound board for the students to experience what that's all about in reality. Look at what results you want your students to be able to do and what equipment you have available that you want them to learn about , then start working backwards from there.
The same thing happens when schools decide to build or remodel a theatre. It's like they say 'we want to make a cake'. And then they are provided with 6 oz.s flour, 2 lb.s of sugar, 1 egg, 3 pints of vanilla, a teaspoon of oil, 12 bars of cooking chocolate (because who doesn't like chocolate), and just in case you wanted cherry icing, use the sugar you already have and here's 3 drops of cherry extract. Yes, these are all the ingredients with which to make a cake, but nobody asked the people who are going to make the cake exactly what type of cake they were going to make, which would not only determine which ingredients are needed, but also how much of each ingredient. We see this a lot particularly in lighting systems spec'd. No one has planned a rep plot ahead of time specific to the space, no one has checked whether there is someone on staff who is knowledgeable about tech in order to run LED instruments or not. So a random lighting package is provided that isn't useful for the space, and no one knows how to operate. It's hard to advise as to what should be in your curriculum for the same reasons – we know you want to make a cake, but first we need to know what type of cake, and what supplies do you currently have in order to make it.
So my point here being, George is quite correct, not negative – plan backwards. Your admin is more likely to be in agreement if, like Dan and Michael say, you make the activities age appropriate, make the activities meaningful in regards to what equipment and supplies you already have in your facility, and make them apply to real life – will what they're learning be able to be translated into what needs doing towards the success of your school plays (admin only tend to appreciate the outcome of tech theatre, not the process).
This all said, I've worked with a lot of middle school students (some of whom have gone on to be 'lifers' in the entertainment industry), and while yes, they are a bit more scatterbrained than high school students, come opening night and the whole show is being run by them…well, the proof is in the pudding (or the cake).
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Beth Rand, EBMS
Lighting Designer
School Theatre Operations Coach
Next School Theatre Management online course for Drama Teachers: Spring Session closed. Summer session starts June 4th.
NEW SERVICE: REP PLOT DESIGN - Never have to re-hang and re-focus all your lights again! (Can be accomplished remotely if you're not in the Boulder/Denver area.)
Author of "High School Theatre Lighting for Architects; designing backwards" and "a little LIGHT science" and several more books at
http://www.presett.org/helpful-books-for-you.html.www.PRESETT.orgWestminster, CO
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Original Message:
Sent: 03-02-2018 10:23
From: Gina Barber
Subject: Technical Theatre Activities for Middle Schoolers
Hi Everyone! I am currently in the process of making a proposal to my administration to add a technical theatre class to our program at my school, and I am trying to come up with a syllabus that outlines and details the various activities and skills that can be practiced in this class. Being a middle school, our class, obviously, won't be as extensive as the high school level is, but I feel there are things I can do to introduce these students to technical theatre. We have a lot of students who are interested in learning this, but my knowledge is limited in what to teach. In my intro class, I teach costume and set design, but we all know that technical theatre involves much more than just that. Thanks for any and all advice!
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Gina Barber
Theatre Director
North Port, FL
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