Kathy,
I am going through this same process with my upcoming production of All I Really Need to Know I Learned in Kindergarten. We aren't even miking the piano, and we are using floor (boundary) mics at the front of the stage, as well as hanging mics.
We are putting lavs on the actors who sing in small groups or have solos, but those will only be hot when they are actually singing.
I am a big proponent of actors working on projection!
Ray
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Raymond Palasz
Auditorium Director/Director of Theatre
Munster High School
Schererville IN
Original Message:
Sent: 09-28-2016 11:21
From: Mike Ritchey
Subject: Sound enhancement for non-musical shows
Both floor and hanging mics are options for this, trying to place the mics near the majority of the action.
It may be easier, however, to try and quiet the sound of the piano. If the piano is offstage, you could mic that and put it through the speakers at a low level that won't interfere with the voices of the actors. It could also then be louder at certain points, if needed.
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Mike Ritchey
Technical Director
Santa Margarita Catholic High School
Rancho Santa Margarita CA
Original Message:
Sent: 09-28-2016 10:46
From: Kathy Dorgan
Subject: Sound enhancement for non-musical shows
Our fall production of Letters to Sala will feature piano accompaniment composed and performed live by a student pianist. We want to be sure that the actors are heard over the music, but would like to avoid body/lapel mics if at all possible. Any ideas out there for using other types of mics -- floor, hanging, something else?
Kathy DorganOHS Theatre Director
English Department