Hi there,
The theatre company at my undergrad had a lot of fun with content warning signs! We never received pushback about content as long as we posted content warnings on the door. We took it as an opportunity to be as humorous as possible, and approached it as a creative writing/dramaturgical project. When I directed DOG SEES GOD, we were very proud that the content warning was the entire length of the door.
Here's an example, from their recent production of AMADEUS:
A NOTE TO OUR PATRONS
Peter Shaffer's Amadeus depicts the rivalry between the eighteenth century composers Wolfgang Amadeus Mozart and Antonio Salieri. This play is a fictional representation of that rivalry and the nature of the events which unfold in it concerning these famous musicians has been disputed by cultural historians and Mozart devotees since the work first opened in London in 1979. Patrons wishing to challenge its depiction of Mozart as a smut-talking spoiled child should understand that the management of Leedy Theater neither endorses nor condemns Mr. Shaffer's characterization of the great composer; therefore, such Mozart aficionados should consult a spirit medium to complain to the author, who died last year at the age of 90.
Amadeus, consequently, contains controversial material which may shock or offend some patrons. There are extensive passages of eighteenth century profanity, discussions of sexual activity, and graphic depictions of highly immoral and partisan political intrigue scattered throughout the action. In addition, ongoing confrontations between its principal character and God in which traditional doctrines of the Roman Catholic version of the Christian faith are challenged (especially the doctrine of salvation through good works) may cause some audience members to find this thematic dispute to be of a blasphemous nature.
Patrons are also advised that Amadeus contains several disturbing events which are of a nature that may affect audience members who have recently experienced family trauma. Lastly, members of the public who have a deep-seated aversion to classical music may find themselves brutalized by repeated exposures to some of the most brilliant music ever composed.
Enjoy the show!
I'll see if they still have access to the CHICAGO warning.
------------------------------
Rosemary Bucher
Licensing Representative, Educational Theatre
Samuel French
New York NY
------------------------------
Original Message:
Sent: 11-29-2017 08:41
From: Ryan McCoy
Subject: CHICAGO warning note
We have language on posters and promotions similar to what you mention. "This play is intended for adult audiences," or "This play is intended for student of high school age and older." I typically support the statement with some notes in the program as for the justification for the selection of the show as well.
Anecdote - A couple students of mine recently attended a show without such a "warning" with their younger sibling and said they would have left the sibling at home "if they would have known about what was in the play."
Regarding a lightning rod? As long as admin and stakeholders are in the know, I think you are fine. With the other two titles mentioned, it seems like your audience is already primed for this type of show.
Break legs!
------------------------------
Ryan McCoy
Director of Theatre
Topeka West High School
Topeka KS
Original Message:
Sent: 11-28-2017 12:40
From: Mark A. Zimmerman
Subject: CHICAGO warning note
I am finishing up the poster design for an upcoming production of CHICAGO. I feel compelled to use a note of warning on such as "This material may not be suitable for children of all ages" or something like that.
For SWEENEY TODD and THE PRODUCERS I used "This show may not be suitable for children under the age of 13" which allowed parents to make their own decision.
I want to avoid using the PG, PG-13, R ratings that the MPAA uses for movies. I don't think they apply to live theatre.
Those who have already done CHICAGO, did you use a warning like this? If so, what was the wording? Did it help you stave off any criticism that you know about? Or was it a lightning rod?
I look forward to many insightful responses.
------------------------------
Mark A. Zimmerman,
Theatre Director
Akron School for the Arts
Firestone Community Learning Center
470 Castle Blvd
Akron, Ohio 44313
Troupe 5570
mzimmerm@apslearn.org
------------------------------