Don't run it from your phone.
Make sure you have the tracks downloaded to your computer, and not streaming them over wifi. If it has the potential to go wrong, it will.
Run the sound as close to how you will run it on performance night as early as you can in the rehearsal process. Fair enough individual tracks in early rehearsals to run it from a convenient phone/ipod/8-track player/grammophone, but have the playlist as described above from the previous posters (if tracks repeat, put them in the playlist twice, etc), and have a dedicated person running the playlist.
Will that person also be responsible for orchestrating the microphones? Are the performers mic'ed individually? Will someone else be doing that on the night? If it is the same person running the playlist, then you ought to have that set-up and running so your sound technician gets used to having to press play/adjust levels/mute or unmute mics and so on, because together it's a tricky act.
All learned through much trial and many, many errors. :)
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Phillip Goodchild
Theatre Arts Instructor/Assistant Department Head of English
Ruskin FL
Original Message:
Sent: 04-12-2016 08:51
From: Theresa Velazquez
Subject: Canned Music
I have done several successful shows with this method. In my opinion, the most important thing is to have a different sound file for every cue and clearly label everything and put it in order. Even if the exact same sound effect or music comes up in two different times in the show, I've found that it's worth it to put it on the playlist twice.
I would also echo the previous advice about using a computer or other powerful and reliable sound equipment as tempting as it may be to use an ipod or a phone. Depending on your tech set-up, you should be able to run the computer sound through your sound board.
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Theresa Velazquez
St Charles MO