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Featured Post

  • Good Afternoon,   Most high schools theatres don't do much in the way of metal-working (particularly welding) for obvious reasons. We are fortunate enough to have a welding class at our tech center that might be willing to work with our department to ...

Trending Threads

  • We are performing "Happy Days" in the Spring.  I would love to have a prop car (at least the front). Does anyone have a design idea and or how to build one?  Even the look of the front of an old convertable. Thank you for any ideas. ------------------------------ ...

  • Lara Russo: Oooooo!  The monologue idea based on the Innocence Project is a fantastic idea!  Please let me know how this turns out!!! After reading what a number of others have written in this thread, I have decided that double-casting is too much ...

  • I am right there with you Julie!  I usually try to cast 25-35 in my fall non-musical production and it's HARD to find quality scripts to accommodate or expand.  I'd love to hear what shows you've found success doing this!  My favorites have been: Kate ...

  • We have found a key ingredient in double casting is structuring the rehearsal time. It is an advantage to having a "gymatorium": cast A on stage acting full out while cast 1 is in the gym going through the motions but quietly reciting lines. I've also ...

  • Hi Kendra,  My name is Melissa, and I'm the Community Manager for Broadway Media, the official scenery partner for both Music Theatre International (MTI) and Theatrical Rights Worldwide (TRW) shows.  Our animated Scenic Projections feature every scene ...



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