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  • Good Afternoon,   Most high schools theatres don't do much in the way of metal-working (particularly welding) for obvious reasons. We are fortunate enough to have a welding class at our tech center that might be willing to work with our department to ...

Trending Threads

  • I am right there with you Julie!  I usually try to cast 25-35 in my fall non-musical production and it's HARD to find quality scripts to accommodate or expand.  I'd love to hear what shows you've found success doing this!  My favorites have been: Kate ...

  • We have found a key ingredient in double casting is structuring the rehearsal time. It is an advantage to having a "gymatorium": cast A on stage acting full out while cast 1 is in the gym going through the motions but quietly reciting lines. I've also ...

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    RE: Two questions

    Hi Kendra,  My name is Melissa, and I'm the Community Manager for Broadway Media, the official scenery partner for both Music Theatre International (MTI) and Theatrical Rights Worldwide (TRW) shows.  Our animated Scenic Projections feature every scene ...

  • Years ago, when my theatre program was a giant, I used student directed works throughout the year.  I was Blessed with many students staying in the program for four years just so they could direct their own stuff.  (They had to apply.)  I've also done ...

  • Hi, Julie.  For this year, I decided to write my own script.  The process has been taxing but I had a good idea, pitched it to the kids, and we workshopped some scenes.  They loved it and felt it was far superior to other published plays we had perused. ...



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