It's not at all edgy, but it works really well, particularly as an introduction to the idea of using actors' bodies to create the scenery: Little Red Riding Hood.
I've used it broken down into: Red's house, the "nice" forest, the forest turning "scary," Grandma's house/bed, the giant wolf (made of many actors) swallowing Grandma. They work first on creating the setting, then on using interesting movement to transition between scenes. I have them brainstorm different ways of moving (sometimes with a mini introduction to Laban), then thinking about the mood of each type of movement and the desired mood of each transition.
Good luck! This is always one of the students' favorite projects - I'm really excited to see other folks' ideas.
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Kristin Hall
Drama Director
Lincoln Public Schools
Arlington MA
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Original Message:
Sent: 07-20-2014 03:46
From: Bryan Ringsted
Subject: Short plays with strong avaunt guard blocking possibilities
I want to teach my students about using actors as mobile scenery and creating a complicated, moving, living set only with performers. Avaunt guard artsy stuff that I often don't get to in acting classes.
I'd love 2-5 min plays I could have them perform on book with only a few characters speaking while the other 4-5 people in a group create the illusion of the scene around them.
Any suggestions on where I can get such literature? Thanks!
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Bryan Ringsted
San Jose CA
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