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Community Spotlight: Bryan Ringsted

By Ginny Butsch posted 10-28-2014 09:39

  



One of the main goals for our Theatre Education Community is to help theatre students and professionals from all over connect and identify with each other in order to build resources and support the theatre education field. We plan to shine a spotlight on a different member every other week by conducting a simple interview.

Our latest Spotlight Member is Bryan Ringsted, troupe director of Troupe 7618 at Leigh High School in San Jose, CA, home of the world’s only unicorn-powered lighting grid (but I’ll let him tell you more about that). Bryan has the perfect balance of humor and sensible advice, reflected in the interview below.

 
Photograph via
Travel + Leisure Asia 

Ginny: Why do you believe theatre is important?

Bryan: Theater opens our lives to the perspectives of others we may have never encountered.  It allows students in high school to literally (with costumes at least) walk in another’s shoes.  I truly believe that students learn more about themselves by studying how others think, act, and react to the world around them. Theater is applied psychology, and every student of theater gains a deeper understanding of human nature and thought through their theater training.

Ginny: What is your greatest challenge?

Bryan: Doing it all and knowing that I can’t.  It’s hard to find good help these days isn’t it?  As a one man department I have to mentor students in every area of design (even the ones I’m bad at). I keep trying to hire coaches to work with them, but I either find a teacher who has no content knowledge, or (more often) a content knowledge rich adult with no teaching ability.  I never thought what I did would be so impossible for anyone else to do.  Theater teachers are a rare breed indeed.

Ginny: What is the resource you most recommend to others in your profession?

Bryan: Step 1: Get money (though CTE, ROP, PERKINS, local grants, boosters, whatever)

Step 2:  Find professionals who want to “give back” (early retirement is nice here) or college kids who are “desperate for money.”

Step 3:  Hire people to do everything you suck at (for me it’s dancing, musicianship for musical theater, and various tech areas).

Step 4: Teach them how to teach others.

Step 5:  Sleep more (I haven’t found out how to do this…but good luck!).

Ginny: What is the weirdest food you’ve ever made or eaten?

Bryan: In Taipai’s street market: Grilled squid on a stick.  They literally asked me which one I wanted, speared it while still alive, and it was still twitching when they threw it on the grill.  Good 5 minutes, but the next 5 hours were terrible.

Ginny: What was the first role you ever played?

Bryan: I played Teddy in Arsenic and Old Lace.  I’ve been a bit crazy ever since (hence my chosen career).

Ginny: Tell us about the moment that made you decide to get involved in theatre.

Bryan: I was a super nerd (all A’s) in High School who wanted to be a jock. I tried out for football and wanted to wrestle.  On a routine checkup my doctor told me I had a congenital heart defect and I would never play football again.  I said, “Well, I guess I have free time, so I’ll try out for the play.”  From the moment I charged into the basement and carried that dead body with me (see previous question), I was totally hooked.  I spent my early years of Junior High and High School wishing I could be someone else, and now I could!

Ginny: What is unique about your program?

Bryan: Every lighting fixture is powered by imprisoned, tiny unicorns on treadmills. But seriously folks…I’m passionate about student leadership.  I only direct 1 show/year. Everything else has student directors, designers, actors, tech crew, publicity people, and everything else.  If a student can legally do it, they do it at Leigh High School.  Coaches (including me) are just there to make sure nothing explodes, offer advice, and stop problems before they become problems.

Ginny: What was the most difficult element of a production you’ve ever had to manage?

Bryan: 200+ lighting cues in Bury the dead with 6 moving fixtures (I’d never programmed a mover before…YIKES).  I thought my SM would have an aneurism calling the show.

Ginny: If you could have a different career, what would you choose?

Bryan: My family always told me I could be a lawyer.  I’m really convincing, so I truly believe that somewhere in the negaverse there is an evil duplicate of me that practices law.  I’m pretty sure he’s a complete and utter tool and drives a beamer.

Ginny: Do you have any hobbies or interests outside of theatre?

Bryan: I swing dance, do HEMA (Historic European Martial Arts), play board games (obsessively), attend Anime and board game conventions, and generally just do really geeky stuff.  Oh, and go to Ren faire and play D&D. I’m such a nerd….

Ginny: What is something we would be surprised to learn about you?

Bryan: I have a pacemaker (which I got when I was 16) and my girlfriend says I have ADD (I just say I’m energetic and immortal).

Ginny: If you could live anywhere in the world, where would you go and why?

Bryan: I’d retire by the beach (Hawaii or the like). Right now I’d be too distracted by it to work. I love the sea with a passion. Yarg!

Bryan seems as eager to learn from his peers as he is to help them, demonstrated by this fantastic Parent Volunteer Guide he created (if you’ve ever wondered how to use parent volunteers, this is the perfect place to start).  If you enjoyed Bryan’s interview as much as I did, add him as a contact in the Community!

Do you know someone who deserves a moment in the Spotlight? Tell me their name and why at gbutsch@schooltheatre.org.

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