Most of the old school musicals provide plenty of roles where strong voices aren't needed:
Music Man needs a solid barbershop quartet and soprano but everyone else is charactery
Hello Dolly needs a great female lead but everyone else is rather charactery
Mame works too
If you have at least 2-3 great singers almost any show written between 1940-1960 you can swing since most of them have two set of leads: the lovers (who generally have to sing) and the character leads (like Adelaide/Nathan in Guys and Dolls).
My Fair Lady is just the lead female who needs to sing.
I love old musicals so I could keep going - modern ones are great too but the demands that they started requiring of performers starting int he 1980's are hard for young voices to keep up with. We certainly have risen to level in many places - but old school is probably the best with beginning/novice singers (Cinderella is also a good one).
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Brandon Becker
Denver CO
Original Message:
Sent: 12-03-2015 07:21
From: Craig Cohan
Subject: Musicals and Acting
I have another question for anyone who can help. What musicals also have acting roles, sort of like half singing and half acting (for my non-singers)?
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Craig Cohan
High School English Teacher
Stage Crafters Director