Consider what type of light board you have – will it accommodate the control needed for LEDs? And, as everyone who has posted recommends, be sure to check your existing power, dimmers and DMX capabilities.
I can't recommend any specific instruments either, as there are so many out there, but I will say that I have also used the Altman cycs, and I really liked the light quality.
If you do go with LED cycs, I've had great luck with ShowBabys, which allow for wireless connections. You probably won't be moving your cyc lights around much once they're hung, but I once worked in a high school theatre that would periodically move their cyc from behind the 3rd electric to behind the 4th electric, depending on the event, and of course the cyc lights had to be moved too. So think ahead about versatility.
As Ron mentioned "LEDs are great, but not plug and play". LED cyc lights can certainly make your cyc 'pop' (love those LED cycs!), but another thing to consider is the level of technical experience of the person running your theatre, and what the theatre is used for –what sort of events and how many per year? Do the events need to be run manually 'on the fly',or will all the events have tech rehearsals allowing for cues to be set?
As with my recent response to the sound board question regarding analog vs digital, state-of-the-art may or may not be your best choice, depending on how your theatre is operated and staffed - in particular the level of tech knowledge and comfort of the person in charge (do you have a Theatre Manager or TD, or is the Drama teacher wearing all the hats, how tech-savvy are they, and how much time to they have to put towards their own tech learning curve?). Here's some similar questions to consider before making your decision, regarding installing LED cyc lighting vs incandescent cyc lighting.
What is the extent of your experience with lighting?
How many students a year will want to learn to be lighting technicians?
Will you or a colleague be providing vocational training for students?
Will students be running the lights for your shows, and will it always be the same student(s)?
Will the theatre be primarily used by students who come and go every few years?
Will the theatre be staffed by professional technicians?
Will the technicians who run the theatre mentor the new students each year?
Will the theatre be rented to outside users?
Who will staff outside events, professional staff or students, or the Drama teacher?
Will outside users be expected to be able to run the LED lights from the board?
Will outside users be permitted to use the theatre's equipment unsupervised?
Who will restore all the equipment settings back to a neutral Rep Plot setting each time in preparation for the next user (be they school, district or outside) should the LED instruments be moved?
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Beth Rand, EBMS
High School Theatre Operations Coach
Lighting Designer
Next HS Theatre Management Training for Drama Teachers online course: Spring Session starts March 5th.
NEW SERVICE: REP PLOT DESIGN - Never have to re-hang and re-focus all your lights again! (Can be accomplished remotely if you're not in the Boulder/Denver area.)
Author of "High School Theatre Operations" and "The High School Theatre Lighting Rep Plot" and several more books on Amazon and also at
http://www.presett.org/helpful-books-for-you.html.www.PRESETT.orgWestminster, CO
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Original Message:
Sent: 02-09-2018 13:18
From: James DeVivo
Subject: Stage Lighting
Our auditorium is in need of some technical upgrades. We're gathering information to make decisions about what to purchase now or defer to next year. One thing we would like to add for the spring musical in April is a muslin cyc curtain and some LED instruments to light it. Does anyone have any suggestions, please?
Our stage is about 50 feet in width; we are waiting on a measurement of height.
We are looking at SlimPARs from Chauvet.
Thanks!
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Jim DeVivo, Ph.D.
Theatre Teacher/Director
Lacey Township High School
Lanoka Harbor NJ
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