I'm going to pipe in on this from a different perspective, since I'm a set designer and not a director.
Some of the first questions I ask a director during our first get-together on a new project are, why do they want to do this particular show? Is it relevant today? Is it just for light entertainment? Is it something else? What do they want the audience to take away from it, or how do they want the audience to feel at the end? This is what sets the stage (so to speak) for the rest of the conversation, and I have to admit I've been surprised at the number of times a director has said something to the effect that they hadn't thought about it that way yet.
From here, we start discussing the characters and their wants and how they go after what they want and so forth. This is important to me as a set designer because (once I start designing the set) it helps me understand and begin to visualize the physical environment needed to tell the story as the director sees it.
I'm mentioning this because something like the N word isn't just an isolated item that needs to be justified: it's part of how the character(s) speak during the story and therefore part of the attitudes expressed during the story. Can (or should) a synonym be used? Will the story still work? That's part of the director's vision for the production.
So -- to cut to the chase -- what would be important to me, as an audience member, isn't to be warned about the word. It is to understand what this play is saying to us, and why the director chose it, and why I should care and spend my time and money to watch it. Sure, a comment about the use of the word (or not) would be appropriate, but it should be in context with the overall approach to the production.
------------------------------
George F. Ledo
Set designer
www.setdesignandtech.wordpress.comwww.georgefledo.net------------------------------
Original Message:
Sent: 10-14-2022 12:13
From: Stanley Coleman
Subject: The "N" Word in Theatre
Thanks, Joseph, for the suggestions. I've already put in place some procedures to meet the challenges. I appreciate your comments.
------------------------------
Stanley Coleman
OR
Original Message:
Sent: 10-14-2022 11:03
From: Joseph Gels
Subject: The "N" Word in Theatre
I'm gonna echo what others said in many ways but gonna emphasize. Don't let people be surprised for it. Assume they won't read the program. Have a sign in the lobby. Include the warning in your curtain speech.
Also, have the conversation partially so everyone involved know why you kept it in the script but ALSO to make sure that anyone involved in the show who may interact with an audience member (actors, director, box office, ushers,...)who is upset can coherently and clearly explain why it was kept and why it is alright and at times even important to be uncomfortable in a theatrical production.
------------------------------
Joseph Gels
Theatre Teacher
Boston Latin School
Original Message:
Sent: 10-12-2022 11:25
From: Stanley Coleman
Subject: The "N" Word in Theatre
Hi, All. I would love to get your opinion/thoughts about the use of the "N" word in theatre. I am directing the play, "Best of Enemies" about an unlikely friendship that develops between a Klansman and a woman Civil Rights leader. The play is being performed by college students. The klansman used the "N" word a few times during the play. I know I might get some kickback about the use of the word, but I feel that this is history and the "N' word must necessarily be a part of it. Any suggestions on how to make a case for doing a play that uses the "N" word? What do you say when people (probably African-Americans) express disapproval? Any deep explanations are welcome. Thanks.
"Injustice anywhere is a threat to justice everywhere."
Stan Coleman (he/his)
494 West 10th Avenue
Apt. 406
Eugene, OR 97401
Mobile: 541-300-9600
"When an individual is protesting society's refusal to acknowledge his dignity as a human being, his very act of protest confers dignity on him."
Bayard Rustin