I think it is great that she wants to pursue a career in theater, I am not a teacher but an industry professional, so take this for what it is worth.
She should never presume to be cast, I don't care how good she thinks she is, life can be full of disappointments.
Would she be able to be part of the background players/ensemble, usually this can lead to lesser time commitments but still being involved in the production. If she does not accept this, it confirms that she has higher priority for future than participating in the production, but this allows her to make that decision.
It is nice to see the parents doing what they can to be behind their child, but they need to understand there will be decisions by others High School/College/Community/Professional that will be learning bumps in the road, and the performer must learn to grow.
Chemistry is needed to make a unified production, what are you willing to accept.....you need to determine to be under the performers rule or you need to rule the roost to share your vision. Do you want participation or just a person to fill a role.
1) All persons should audition. NO ONE is guaranteed being cast, special consideration for ego is not warranted.
2) All directors deserve full commitment from their performers, yes there are talented people in the industry, but if the schedule does not fit then it does not work for anyone. Being over committed does you or them no favors.
3) Possibly look at this student in another light, how do I help them on their college track? Do I have the skills to assist with this?
As a director, in the community world, people must balance work and theater, it is no different on the High School level, commitment is commitment, in life there are tough decisions to be made to determine priorities, coddling does not do well for anyone.
At her age she does not need to fill a resume, she will have college to go after that, if she wants to get into a program, she needs to have great auditions and to be able to interview well, for the colleges, and to interview the colleges to define what program will advance her in the industry.
Again take this for what it is worth from an outside teaching perspective from the theater world.
You define your destiny on your own, as we all do with our choices.
Good luck in your decisions
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Jerry Onik
V.P. Theatrical Supplies and Equipment
Heartland Scenic Studio
NE
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Original Message:
Sent: 05-11-2024 07:37
From: Marla Blasko
Subject: Need advice
I have a student (junior) who came to me yesterday asking me for special consideration for next year. A little background: She has played leading roles since her freshman year of high school especially in the musicals. She is talented, has a strong belt and a strong stage presence and most likely will be considered for leading roles her senior year. She is an only child and has had the privilege to attend summer college programs and enroll in a demanding college prep program last fall. She is working really hard to get into a musical theatre program, so much so that she decided not to audition for the 2023 school fall musical (I was surprised but had plenty of students to fill roles). Yesterday she told me that she was sad that she didn't participate in that musical and that she really wanted to be part of allthe theatre shows next year. She asked if I would consider giving her an understudy. Keep in mind that nothing has been cast for next year but she is concerned because she plans to be out of town, auditioning for various college programs including the National Unified Auditions.
The thing that is concerning is that:
1. She presumes that she will be cast in her high school show. The conversation wasn't - "If were to get a role would you...." It was "Can you give me an understudy?"
2. She has begun missing classes this spring in order to visit colleges.
3. The parents have invested a lot of money to give their child an edge with the theatre college prep program.
Yesterday, I told her that other students have auditioned and still fully participated in the school's shows. I told her that I would try to work with her conflicts but that it was unfair of her to ask to miss rehearsals and rely on an understudy and that I can't build a schedule around one actor. I also told her that theatre was about connection and that it was important to be present with your scene partners to build the chemistry and trust needed for a strong performance.
On the one hand, I want her to pursue her dreams, but on the other hand, I think it was unfair of her to ask for special consideration.
I have two questions for this group:
- How do I advise and guide this student?
- What would you do if you were in my situation?
How do actors balance building their resume with the audition process?
Thanks for reading my long story. Any advice is appreciated.
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Marla Blasko
Director/Teacher Theatre Arts
Long Reach High School
Columbia, Maryland
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