I’ve been using SketchUp for years in my design work, both theatrical and non-theatrical, and I love it. It’s a fantastic tool, and I find it exciting that more schools and colleges ae using it.
However, the other side of the coin is that it’s very easy to get caught up depending on the primitives (the squares, rectangles, and other shapes), and have the end product look like a bunch of shapes. It’s what we used to call letting the pencil drive the hand. I’ve seen sets out there, in life and online, that have “Done with SketchUp” written all over them, and they tend to look static and mechanical.
The trick to using SketchUp is to “design the set” first, and then use the program to draw the parts (the walls, ramps, or whatever) that make up the set. When I start a new project, I don’t even go to SketchUp until I know exactly what I want to do, and, even then, I keep referring to the script to see how the design works in terms of the story. Like back in the pre-SketchUp days, I work the design out on very small pencil sketches until I’m happy with it, and only then start laying it out.
The other thing I have found is that it’s much easier and faster to make revisions to a sketch on paper than it is in SketchUp. A couple of days ago I was working on a design that involves six periaktoi that move around the stage a number of times, so I just cut six little triangles out of paper and moved them around for each scene until I was happy with the look and the flow. Then I drew them in SketchUp. It would have taken all day to do all that moving around on the screen.
Below are three SketchUp renderings (for actual sets) from my web site, which would have never looked like this if I had started designing them in SketchUp. A #2 pencil on a piece of paper can get you to some wonderful places.
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George F. Ledo
Set designer
www.setdesignandtech.wordpress.comwww.georgefledo.net
Original Message:
Sent: 01-26-2016 13:32
From: Donalda McCarthy
Subject: IMAGES & PLANS for SUPER simple set design project??
Google has LET ME DOWN!
I'm challenged with creating a hands-on lesson on scenic design without having all of my students in one class at one time due to testing.
Firstly, does anyone have one of those "create this scene 3-dimensionally on a proscenium stage with file folders and glue" type lesson plans already? Translation: amazingly about the "script realization" and less about the actual parameters of set *design*. Oh... and K.I.S.S.
And does anyone have images of these works their students have created in the past? Our school drives were completely wiped clean in Octobber and I--- lost--- everything that I hadn't Dropboxed yet.
Finally, am always up to using new materials. I've been using the set-up to "A Doll's House" (the kids have always enjoyed the challenge of the door and I enjoy seeing who remembers the Christmas tree detail) but I'm open to new ideas.
ACT I
A room, comfortably and tastefully, but not expensively,
furnished. In the back, on stage right, a door leads to the
hall ; on stage left another door leads to Helmer's study.
Between the two doors a piano. In the center of the SL wall a door,
and nearer the front a window. Near the
window a round table with armchairs and a small sofa.
In the right wall, somewhat to the back, a door, and against
the same wall, farther DS, a porcelain stove; in front
of it a couple of armchairs and a rocking-chair. Between
the stove and the side-door a small table. Engravings on
the walls. A whatnot with china and bric-a-brac. A small
bookcase filled with handsomely bound books. Carpet. A
fire in the stove. It is a winter day.
A bell rings in the hall outside. Presently the outer door
of the flat is heard to open. Then Nora enters, humming
gaily. She is in outdoor dress, and carries several parcels,
which she lays on the SR table. She leaves the door
into the hall open, and a Porter is seen outside, carrying a
Christmas-tree and a basket, which he gives to the maid-
servant who has opened the door.

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Donalda A. McCarthy
Theatre Teacher
Palm Beach Lakes High School
West Palm Beach FL
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