We have changed the configuration of our theatre many times and the orchestra has often been designed into an upstage area or even more successfully on to an elevated platform. The keys to success with this concept are:
1) visibility for cast & conductor (they need to be able to see each other somehow)
2) familiarity (the cast has to be 100% prepared vocally to be ready to perform with limited visibility of the conductor)
3) comfort - the higher the musicians are, the warmer it can get - treat them well: honor their talent and gifts they are sharing with your production with recognition whenever possible & keep them cool, hydrated & happy
In the end, I feel that the decision as to where to locate the orchestra for a musical is one that should be dictated by the artistic needs for the production. If the show is "about music" then is awesome to FEATURE the orchestra as part of the look of the show. But then there are many shows where the orchestra needs to be invisible so that the story you're telling is featured first.
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Jeff Bengford
Performing Arts Chair & Theatre Director, Westmont High School
Campbell, CA
www.WestmontDrama.com------------------------------
Original Message:
Sent: 08-22-2018 09:37
From: Bernadette MacLeod
Subject: Putting the pit onstage
Has anyone ever put the pit onstage? I'd like to do this by putting them on a platform that is integrated into our set. Would love to hear if anyone's done this and your experience with it.
Thanks!
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Bernadette MacLeod
Charlotte NC
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