It could be argued that a "community that may not tolerate it well" is the community that needs to deal with it the most. I live in one of those; we did "To Kill a Mockingbird," dialogue unchanged, and it went off without a hitch and with no negative feedback from the audience.
I'm sure you know, and your administration needs to understand, that you can make no script changes without approval from the rights-holder. The race issue is not as front-and-center in Steinbeck as it is in Mockingbird, but still, they have the right to deny those changes if they think the language is necessary to the play.
------------------------------
Josh Kauffman
Teacher
Winfield AL
Original Message:
Sent: 12-01-2016 13:32
From: Kristina Cummins
Subject: Language in Of Mice and Men
I am producing Of Mice and Men and need some guidance on how others have approached the "N" word on stage. I presented the situation to my administrators and they are not comfortable with us using the word in performance. How have those of you who have directed this text ( and/or any other with such language) navigated this situation?
I have communicated my desire to stay true to Steinbeck and accurately represent the time and culture of this piece. I also know that I live in a community that may not tolerate it well. Given that, and my desire to have a healthy and trusting relationship with my administrators, I will most certainly respect their perspective.
At this time, we are planning on having a clear disclaimer on all publicity, a pre-show introduction indicating the sensitive nature of the piece, educational content in the program, and a post-show talk back. We know there will be members of the audience upset if we remove the language - just as we'll have members angry if we use it.
I would love to hear your thoughts...
------------------------------
Kristina Cummins
Olympia WA
------------------------------