The idea of a dark floor is simple. Human eyes are drawn to look at the brightest object in the field of vision. If the floor is the bright object, then the audience will subconsciously be drawn to look towards the floor. Performer's and directors much prefer that the object of the audience's attention is the performer. As an administrator presenting, do they want the audience looking at their feet or their face? This is also why there are typically black side masking and overhead border drapes -- to help keep the audience's attention on the show, not on the periphery of the stage.
The problem with light colored shiny floors is that in order to put more light on the performer while NOT placing light on the floor to reflect back upon to the scenery, the light would have to come from dead-on in front of the performer. This does not work well because this casts shadows of the performers onto the upstage wall / scenery, AND it blinds the performers, which is both dangerous and disconnects the performer from the audience so they can't 'read' the audience's reactions.
Satin finish black floors are the default for most theatres -
this is the norm. If and when the floor look and texture need to enhance the presentation (for example: the yellow brick road in 'The Wizard of Oz'), then placing a ground cloth down and painting the floor scenery upon that is the best solution, as the drop can easily be removed after the show without having to repaint the floor. Floor scenery is usually painted with matte colors so the stage lights don't reflect strongly off of the floor. Repainting floors is time consuming. material intensive, and requires a week of down-time for the stage. Frequent repainting also makes layers of paint build-up until the floor gets spongy, and the layer-to-layer adhesion of the paint begins to fail so when spike tape is removed large sections of the painted floor can pull-up with it.
If a (dance) show wants a shiny floor, they can easily rent or buy some roll-out dance flooring material to meet their aesthetic needs.
All this said, the existing "awful glossy honey wood" is typically a pine or maple tongue-in-groove 'basketball' type floor (I could be wrong), and these types of floors are high maintenance for the school district. With age they can begin to splinter, which is a hazard to both performers and technicians; and the floor typically shows dents, divots, and scratches very easily.
Consideration should be given to adding a 1/4" layer of ANSI 135.4, Class 1 tempered hardboard (
www.stimsonlumber.com/wp-content/uploads/2019/12/ANSI-Standard-A135-4-Basic_HB-2012-FINAL.pdf) over the existing wood floor to act as a sacrificial layer. (note: you have to special order ANSI 135.4, Class 1 tempered hardboard as no one stocks it, and places like Lowes or Home Depot have no idea what this is nor will they provided it). The material can be secured to the floor with 3M VHB double-sided 'hurricane' tape so it doesn't move, and this does not require driving any staples, nails, or screws to attach it.
The floor (either the existing floor or the tempered hardboard floor) should be prepped and painted with a 2-part epoxy paint for durability (minimum maintenance). Sherwin Williams B70-8160 with the associated hardener, in a SW2936 Black Emerald is a good solution (2-coats recommended). An alternative is Benjamin Moore V410.80 with the V410.90 hardener. ALWAYS let the floor cure for a full 7 days before ANY traffic is on it.
For the long-term health of your floor, keep it clean (for safety), when damp mopping it add about 25-50% hydrogen peroxide to sanitize against the sweat and skin droppings from actors and dancers. Always clean-up and dry puddles of any type liquid. If it is left standing on the floor it can weaken the paint seal and penetrate the wood and reduce the life of the floor. Teach people to pick up objects when they are moving them. Dragging stuff across the floor is hard on the finish, even if it just a few inches. Castered carts and dollies are your friend!
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Erich Friend
Theatre Consultant
Teqniqal Systems LLC
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Original Message:
Sent: 04-12-2022 13:59
From: Sarah Warren
Subject: Paint Persuasion
I need to convince my school to let us paint the stage floor black. It is the most awful glossy honey wood from apron to back wall.
So far my best argument is that black will keep light from bouncing into students eyes. Any technical arguments or articles would be greatly appreciated!
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Sarah Warren
Bayside Intermediate
TX
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