There's an article in this month's
Teaching Theatre (one of the EdTA publications for members), by yours truly, about how to simplify sets when on a budget, and it may give you some ideas. As I started to outline it, I realized that it would have been so simple -- and probably so predictable -- to discuss technical issues such as how to re-use flats, or how to use rehearsal blocks instead of furniture, or where to get cheap paint, or any number of other details, instead of on how to focus on what's really important: the story. So the article discusses, and shows examples of, how to think of a set in terms of an environment that helps tell the story instead of in terms of scenery. In the end, I realized the piece wasn't just about saving money: it was about good design. You may want to check it out.
------------------------------
George F. Ledo
Set designer
www.setdesignandtech.wordpress.comwww.georgefledo.net------------------------------
Original Message:
Sent: 09-04-2019 10:57
From: Ellie McIvor-Baker
Subject: Clue on Stage
I did this show in a proscenium, but it was all about the doors. There was a main door and 3 doors on wheels on each side. Actors would exit the stage through one door, the door would rotate (with different color paint on the other side) and we brought very minimal furniture on for each room.
------------------------------
Ellie McIvor-Baker
Theater Teacher and Director
Portland OR
Original Message:
Sent: 09-02-2019 06:55
From: Laura Cummiskey
Subject: Clue on Stage
Looking for fluid set ideas... doing in a black box with audience on three sides.
Sent from my iPhone