Open Forum

 View Only
  • 1.  Prep for controversy regarding The Crucible

    Posted 08-02-2016 17:51

    I've settled on The Crucible as our fall production.  I think it's perfect for the group of students I have right now.  And it's a play I've always wanted to work on but I've never had the chance.  However, I live in a pretty conservative area, and I'm concerned about some possible issues arising.  Students at our school study the play in their junior English classes, and I was told that some parents didn't allow their children to read the play.  I was a bit shocked when I heard this.

    My administration has approved the play, but they told me to expect some ruffled feathers.  How would you guys prepare for something like that?  I've already thought of having a parent's meeting and/or sending letters home with students.  I'd appreciate any other thoughts or ideas!

    ------------------------------
    John Smith
    Theatre Teacher
    Highland High School
    Hardy, Arkansas
    ------------------------------


  • 2.  RE: Prep for controversy regarding The Crucible

    Posted 08-03-2016 06:50

    'The Crucible' is a tricky one. We had a lot of pushback from our administration over the words 'whore' and 'God damns all liars' and any other 'damn's actually. It was tense for a while! Especially as the estate of Arthur Miller is fairly adamant about not changing a single thing in the text.

    Letters home, or whichever communication medium works best for you. Stress all the educational benefits and sociological benefits of mounting this production; this is a play that is a systematic study of mob hysteria and paranoia, which at this point, at this time, is incredibly timely. Stress that this is real history, though fictionalized to an extent, but that this really happened in the pre-history of the United States and, if we refuse to learn from the lessons of history we are doomed to repeat the mistakes.

    You could offer warnings on any promotional material. You could do a talkback after the show (though, with the play being 2.5 hours+, you might be stretching your audience's patience.

    What I found, is that our audience was stunned into silence, and appreciated the production very much. IT is so powerfully written, it defends itself. Add to that, you have the subconscious feeling on the audience's part, that 'Thank goodness we wouldn't do anything like them!' (which were actual comments I heard from our audience).

    Good luck!

    ------------------------------
    Phillip Goodchild
    Theatre Arts Instructor/Assistant Department Head of English
    Ruskin FL



  • 3.  RE: Prep for controversy regarding The Crucible

    Posted 08-03-2016 09:50

    Thank you!  In my opinion, the play is perfect to do in the schools because it hits on so many cylinders.  Not only will students learn about the actual time period but they'll also learn about McCarthyism. They'll be able to relate the hysteria at the time to what's happening in the world today.  For me, there are so many great things about the piece that I'm willing to take any negative stuff that might happen.  

    ------------------------------
    John Smith
    Theatre Teacher
    Highland High School
    Hardy, Arkansas



  • 4.  RE: Prep for controversy regarding The Crucible

    Posted 08-03-2016 10:44

    An additional thought is that you have your admin's approval; make sure you keep them in the loop throughout your process so they can be consistent with you vis a vis the educational purposes, etc.

    A secondary thought, which I remembered, is also to take care with your promotional materials. I had to redesign our campaign a couple of times as the images were deemed 'too much'. By too much, one design had a small amount of blood spatter over an image of a forest, and the following campaign was nixed because of the use of empty hangman's noose's in the image. Our third successful campaign used a simple line drawing of a slightly creepy looking poppet; what was cool is that one of my students then went on to create an identical looking poppet for the show.

    Just something else to consider. You're right about the show's relevance; so many more of my boys tried out for this production versus how many turned out for Shrek (not their thing, apparently!) and did really well. The script is still so powerful, a half century later.

    ------------------------------
    Phillip Goodchild
    Theatre Arts Instructor/Assistant Department Head of English
    Ruskin FL



  • 5.  RE: Prep for controversy regarding The Crucible

    Posted 08-03-2016 10:43

    I'd also recommend a letter home and include the English or History standards that are hit within the production. Finding a way to connect it back to the core academic classrooms can do a lot to soothe the feathers. I also send out an extra credit quiz (based on a combination of the staging we use and the academic content) to the academic teachers. The kids turned in a signed program (I won't sign until after curtain) and complete the quiz for the credit. Since the quiz and key are provided I haven't a lot of support from the academic areas.

    I've also used warning signs for some productions. I'd follow it up with a verbal warning pre-show to ensure that everyone is made aware of the possible content issues. 

    ------------------------------
    Shira Schwartz
    Chandler Unified School District
    Chandler AZ



  • 6.  RE: Prep for controversy regarding The Crucible

    Posted 08-03-2016 12:37
    Edited by George Ledo 08-03-2016 12:38

    Just a thought...

    A local two-year college, which has an award-winning theatre department, occasionally does a play or musical that could be considered "on the edge" by some people, even here in the SF Bay Area. Their response to that, when it comes up, is not to defend the play itself, but to explain the purpose of live theatre in terms of exploring the human condition in all its forms. At the same time, the college's educational mission is to give their students -- all their students -- the best preparation they can in their chosen fields.

    I don't have an exact statement, or an exact quote, but that was the gist of what I heard them say a few years ago about a show.

    I wonder if preparing such a mission statement for a drama program might be worth considering.

    I seem to remember reading about a technique in sales or advertising that goes something like, "sell them on the premise first, and then they'll be ready to buy the product."

    ------------------------------
    George F. Ledo
    Set designer
    www.setdesignandtech.wordpress.com
    www.georgefledo.net
    http://astore.amazon.com/sdtbookstore-20



  • 7.  RE: Prep for controversy regarding The Crucible

    Posted 08-04-2016 08:12

    I've directed Crucible twice and had great results both times. We did have a bit of controversy the second time when our poster featured a noose superimposed over a church. Some felt that we were saying negative things about religion; however, this was quieted when we pointed out that those who died did so because they wouldn't betray their faith. If they had admitted to being witches, they would not have been hanged. They refused to lie because, as has been pointed out, "God damns all liars."

    On a separate note - A few years ago, I found the transcripts of the trials online. It's clear that Miller had access to these when he wrote the play since there are some quotes that appear in the play and he captures the voice of the period exactly.

    ------------------------------
    Robert Smith
    VA Co-Chapter Director
    James Madison High School
    Vienna VA



  • 8.  RE: Prep for controversy regarding The Crucible

    Posted 08-04-2016 09:52

    Thanks so much for all of your thoughts and advice!  It gives me confidence that the play is the right choice to do for our school at the moment.  I think it would be a great idea to talk with students/parents about the religious aspect. That characters died because they refused to be hypocrites.  I really think that will speak to our audiences here.

    I'll plan on attaching all the common core standards to the piece because I know my admin loves that stuff.

    I love the mission statement idea!  I'm going to get our Thespians together so we can draft a meaningful statement that applies to our community.  

    Thanks again for all the encouragement.  It's easy for me to feel distant from the rest of the theatre community living in such a small town.  This forum is definitely a lifesaver!

    ------------------------------
    John Smith
    Theatre Teacher
    Highland High School
    Hardy, Arkansas



  • 9.  RE: Prep for controversy regarding The Crucible

    Posted 08-04-2016 13:52

    Thank you for having the courage to produce The Crucible honestly.  As intolerance for others, and vilifying them for their differences is growing, the lessons of the play's setting cannot be understated.

    I remember studying the play in high school around 1982, but don't recall being taught at the time that Arthur Miller wrote it specifically in response to McCarthyism.  That revelation came some months ago when thinking about plays for the upcoming years.

    It was also interesting for my daughter to see some personal connections to the play when she studied it as a senior in High School.  In the class reading, she was Ann Putnam, based on the person Ann Putnam, Jr., and daughter of our own ancestor, Ann Putnam, Sr.  This was in addition to being the patrilineal descendant of Henry Kinne (spelled Henery Keney in the original documents) who signed the arrest warrant against Martha Corey, wife of Giles Corey.

    ------------------------------
    Jym Kinney
    Troupe Director
    Clover Park High School
    Lakewood, Washington