Open Forum

 View Only
  • 1.  Play Selection - In-Class Rehearsal

    Posted 09-24-2025 13:25

    Hello everyone, 

    I am reaching out to ask for some advice and suggestions for play and performance options that cater to working with largely in-class rehearsals where the students cannot all be together at the same time. This semester we are working on 10 Ways to Survive the Holidays by Don Zolidis because it can easily be divided up amongst the classes and the put together the week of the show, which is going well, but I want to have more options that I can utilize moving forward. I am new to teaching and am havign to adjust to what works for my school and my students and don't want them to not have fulfilling experiences simply because they are not having after-school rehearsals. Any thoughts, advice, or suggestions are welcome!

    I am not alwyas great at responding, but I see the advice and definitely take it to heart, so thank you to everyone who has sent me wonderful things so far!!



    ------------------------------
    Adam Hobbs
    Theatre Teacher
    Lower Richland High School
    SC
    ------------------------------


  • 2.  RE: Play Selection - In-Class Rehearsal

    Posted 09-25-2025 08:55

    We've had success with A Simpler Time, Scared Silly, and this year we're doing The Alibis. They are all set up as connected short plays. Shakesplosion! from YouthPlays was also a big hit here and is mostly rehearsed in four sections.



    ------------------------------
    Laura Butchy
    BASIS Independent McLean
    VA
    ------------------------------



  • 3.  RE: Play Selection - In-Class Rehearsal

    Posted 09-26-2025 12:55

    Thank you!



    ------------------------------
    Adam Hobbs
    Theatre Teacher
    Lower Richland High School
    SC
    ------------------------------



  • 4.  RE: Play Selection - In-Class Rehearsal

    Posted 09-25-2025 09:06

    Look for a vignette-style play like John Cariani's play "Almost Maine" where each scene can be performed independently by a separate group of actors.



    ------------------------------
    Hans Offenfrish
    ------------------------------



  • 5.  RE: Play Selection - In-Class Rehearsal

    Posted 09-25-2025 09:37

    I second the motion for Almost, Maine, and would add Zolidis' Mutually Assured Destruction: 10 Plays About Brothers and Sisters.  As the subtitle says, it's ten super-short plays about sibling rivalry, running about 8 to 12 minutes apiece.  Each has a cast of two - some 2 males, some 2 females, some 1 male and 1 female, and with some gender flexibility built in, as well.  You can cast every role with a separate student for a cast of 20, or you can double up and have some students play more than one scene.  One of the title's interesting twists is that each scene takes place in a different decade, covering a full century from the 1920s to the 2010s.  The more things change ...



    ------------------------------
    Jeff Grove
    Theatre Teacher, Aesthetics Department Chair
    Stanton College Prep
    FL
    ------------------------------



  • 6.  RE: Play Selection - In-Class Rehearsal

    Posted 09-25-2025 14:53
    Edited by Josh Ruben 09-25-2025 14:54

    Hi Adam, 

    I have had great success rehearsing our one act competitions, musicals, and other events during our class periods.  I specifically cast the shows based on these groupings.  For example: Several years ago we won several competitions with a one act adaptation of the Greek Classic, Antigone.  I had my advanced acting class perform the principal roles, and  my intermediate class performed as the chorus.  I had several other actors in other classes perform as the "Gods" who primarily had short monologues.  While challenging, this system works very well if you have "groups" of characters in the show and divide them accordingly.

    When we were able to finally get together on Saturday's and a few afterschool rehearsals, it was like a sitzprobe: it all came together and the students were thrilled to experience the results.

    The system works great for our Spring Musicals because I can rehearse small group scenes and solos in class.  Full Disclosure: Large production numbers sometimes suffer in this system.  I reserve those rehearsals for weekends and afterschool but attendance is an issue.  Therefore, in auditions and parent meetings, everyone understands missing  rehearsals means they may be moved to the back rows or eliminated from that number.

    Here are some suggested titles:

    1) There are several Shakespeare plays that lend themselves to this rehearsal plan. I've done one act adaptations of:

    • Midsummer Night's Dream
    • Romeo & Juliet
    • Much Ado...

    2) Antigone

    3) The Dining Room - and any other episodic play like Almost Maine

    4) The Complete Works of Shakespeare...Abridged

    5) Our Town



    ------------------------------
    Josh Ruben, M. Ed.
    Fine Arts Head
    Northwest Whitfield HS (The Northwest Theatre Co. Troupe #7290)
    Tunnel Hill, GA
    ------------------------------



  • 7.  RE: Play Selection - In-Class Rehearsal

    Posted 09-26-2025 09:34

    Class Action by Brad Sleight

    Marcus Is Walking by Joan Ackermann

    I use some of the scenes from these in acting classes because of strong scene construction and conflict.  Class Action also includes monologues.



    ------------------------------
    Robert Brooks
    Mississippi School of the Arts
    MS
    ------------------------------



  • 8.  RE: Play Selection - In-Class Rehearsal

    Posted 09-26-2025 08:17

    Theatrefolk has some vignette plays -- I use 4 of them each year with my 8th grade students, but there are also some that would be better for high school students.



    ------------------------------
    Cora Turlish
    NJ
    ------------------------------



  • 9.  RE: Play Selection - In-Class Rehearsal

    Posted 09-30-2025 11:17

    "10 Ways to Survive the Holidays" is great. Stage Partners also has other titles that are designed to be flexible and easy to divide among classes:

    "Rogues' Gallery" (https://www.yourstagepartners.com/rogues-gallery)

    "Quest!" (https://www.yourstagepartners.com/quest)

    And for another holiday option, "The Other Side of Christmas" (https://www.yourstagepartners.com/the-other-side-of-christmas)



    ------------------------------
    Brendan Conheady
    ------------------------------



  • 10.  RE: Play Selection - In-Class Rehearsal

    Posted 10-02-2025 09:22

    TRW has a number of possibilities for this.  

    BY THE NUMBERS by Lynne Halliday, James Hindman, Arlene Hutton & Craig Pospisil is a collection of short plays that are all inspired by math theorems - though no math is required to enjoy them.  www.theatricalrights.com/by-the-numbers

    JANE AUSTEN IN 89 MINUTES by Syrie James is a clever, engaging comedy, featuring Jane Austen and an ensemble cast delivering condensed versions of all six of Austen's beloved novels at a lightning pace.  There's also a 39+ minute version, that's perfect for one-act competitions. www.theatricalrights.com/jane-austen-in-89-minutes/

    JOURNEY TO THE POLES OF INACCESSIBILITY by Craig Pospisil is a flexible, episodic rom-com, with an Indiana Jones meets Around the World in 80 Days spirit, as two mismatched people circle the globe on an expedition to discover the last remnants of magic at the world's most remote places. www.theatricalrights.com/journey-to-the-poles-of-inaccessibility/

    MUSINGS OF A CRAZY TEXICAN by Alvaro Saar Rios is a "crazy" collection of eight short plays contains works to be enjoyed by Texicans and non-Texicans.  Imagine seeing 500 years of Aztec history in 10 minutes, a commercial for menudo popsicles, auditions for Pancho Villa: The Musical or a jillion texts from a psycho gringa.  www.theatricalrights.com/musings-of-crazy-texican/

    SITTING DUCKS by Jones Hope Wooten is a delightful,, hilarious, and absurdly inspired collection short plays about life and love with zany characters and locales and are full of twists and surprises.  www.theatricalrights.com/sitting-ducks/


    See if any of the appeal to you for your students.

     



    ------------------------------
    Craig Pospisil
    Senior Vice President
    TRW - Theatrical Rights Worldwide
    craigp@theatricalrights.com
    ------------------------------