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  • 1.  Pit Cover

    Posted 14 days ago

    Does your theater use a pit cover (net, platforms, etc.)? If so, can you please tell me what kind and how deep your pit is? Thank you!



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    Stacie Morano
    Bordentown Regional High School
    NJ
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  • 2.  RE: Pit Cover

    Posted 14 days ago
    Ours is a Wenger product of 26 interlocking (with coffin locks) inserts on top of an aluminum frame.  These inserts also form the floor at the bottom on a shorter aluminum frame.  All of it manual, no lift.  Which makes it a HUGE job should we wish to uncover it.  We haven't used ours in years.  We do have a custom made pit net for when it is open, with a square removable piece for the conductor's head.  It's about 12 feet deep.
    --

      BOB BIRDSONG
      STAGECRAFT TEACHER,
      FACILITY ADMINISTRATOR, PCSSD          Phone: 501-234-2641
      RBIRDSONG1588@PCSSD.ORG






  • 3.  RE: Pit Cover

    Posted 13 days ago

    Ours is also Wenger product just like the one Bob described.  We also have a custom pit net for our 12' deep pit.  The theatre is 20 years old, but we have only had a net for the past 10 years after our pit conductor fell into it while backing up after chatting with the students on the stage.  (Fortuantely, she came out of the situation mostly unharmed.  The net is not pretty, but is sure makes me feel a lot better about having a giant hole in my stage floor when the pit is uncovered.  The pit cover takes 6 of our school's utility crew about 3-4 hours to re-assemble and about 1.5 to 2 hours to take down.  To say the least, they do not like to have to do it.



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    Scott Usher
    Hartland High School
    MI
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  • 4.  RE: Pit Cover

    Posted 10 days ago
    Makes me wonder…how many of you have a “falling off the stage” story?!? I once slipped on the prompters script and ended up in the pit. Luckily a table broke the fall half-way down. Talk about a stunned cast! After 6 weeks of physical therapy and a sling…my shoulder still gives me grief. The prices we pay!!!
    Best,
    Garry
    Sent from my iPhone




  • 5.  RE: Pit Cover

    Posted 10 days ago
    Garry Tiller

    Ballet Arkansas' Nutcracker Suite.  The flys yelled "scrim!" in the dark and a student stepped back four steps and fell to the bottom.  Turned in mid air and landed on his jaw.  He ate Christmas dinner through a straw that year.  Stupid me, I almost injured myself afterwards.  They came running to get me and I didn't even think and leaped into the pit after him, borne by adrenaline. Broke his jaw in three places.  Turns out he was stoned the entire time.
    --

      BOB BIRDSONG
      STAGECRAFT TEACHER,
      FACILITY ADMINISTRATOR, PCSSD          Phone: 501-234-2641
      RBIRDSONG1588@PCSSD.ORG






  • 6.  RE: Pit Cover

    Posted 10 days ago
    Scott, you use adult crew members?  Nice.  If we are going to uncover our pit we have to use student crew.  Hence the long install time.  I highly recommend a hydraulic lift system, iof you can pay for it.  Huge pain in the neck.

    --

      BOB BIRDSONG
      STAGECRAFT TEACHER,
      FACILITY ADMINISTRATOR, PCSSD          Phone: 501-234-2641
      RBIRDSONG1588@PCSSD.ORG






  • 7.  RE: Pit Cover

    Posted 13 days ago
    Glad to see you asking about pit safety!  Below I'll include an excerpt, from the Safety chapter of my book "High School Theatre Operations", about pit safety.  (It also addresses the issue of pit falls, as Scott mentioned.)
     
    Another alternative to opening up your pit – as Robert mentions, it's a HUGE job(!) – might be what I recently saw in a cruise ship theatre production of "Jersey Boys" (your neck of the woods Stacie!).  The theatre had an orchestra (more like a band) in the pit, but the pit cover was closed.  The music was piped to the house speakers and onstage monitors (sorry sound folks, I'm a lighting designer, and "piped" is the best I can do – I do know however, from my tour of the theatre that there is an extensive state-of-the-art sound system, and several sound technicians onboard).  There were two video monitors mounted near the ceiling in the back of the house facing the stage. These were so that the actors could see the conductor.  If you looked really closely, you could see the actors glance up at the start of each song!
     
    More about behind the scenes of "Jersey Boys" in the Norwegian Bliss theatre at:  https://www.cruisetechies.com/cruisetechies-blog
     
    And here's the book excerpt for you…
     
     
    ORCHESTRA PIT SAFETY
     
    Back on the stage - another code worth mention is OSHA' requirement for people to stay 6' away from an open orchestra pit.  Not only this, but a guard rail must be in place, and a pit net installed.  Right away any theatre person can see a problem with these requirements.  How can the audience watch play through a railing?  So, OSHA does allow for circumstances such as performances before an audience.
     
    There are cases galore of injuries and death of people falling into orchestra pits. These include:
    a dancer falling into a pit and suffering spinal injuries, a stagehand falling into a pit breaking his leg, another stagehand falling into a pit and suffering brain injuries, and even more tragic, a director backing into an open pit who died from head injuries, and a musician who fell into a pit and died from his injuries.  The list goes on and on.  Most of these people were professionals.  You are dealing with students.  These safety requirements are not to be taken lightly.  
     
    In lawsuit situations some courts have in the past ruled in favor of the theatre, because actors and crew have been working in the space for a long time and know the pit is open during a performance, and therefore should be taking precautions accordingly.  Even the outside users of your space take upon these liabilities themselves.  It is however, imperative that this is in writing in their contract.  In the case of educational theatre a lawsuit for negligence is more likely to be upheld.  Regardless, you don't want a serious injury or death on your conscience.  When it comes to safety my motto is:
     
    BETTER PARANOID THAN SORRY.
     
    In the educational setting, it's up to whoever is running your theatre to train the students.  It is therefore essential to have guidelines concerning an open pit, whether you have a hydraulic pit cover or scaffolding pit cover.  For instance, the movement of the hydraulic lifts, or the removal and replacement of the pit covers must be done by trained staff, usually the Theatre Technicians. I recommend a minimum of three technicians to remove and restore a scaffolding pit cover system, however four is optimal for safety. In the case of a hydraulic system there should be one person operating the lift, while one person guards below the pit and one person guards the growing pit hole from the stage deck. A student or outside event crew member may assist Theatre Technicians in the removal or replacement of the pit covers, but only after turning in a signed liability form and only under the direct supervision of the Theatre Technicians. Keep copies of the pit cover plans and procedures in the safety manual, in the booth and at the Theatre Manager's district office.  Under no circumstances must the pit be removed or replaced without the plans at hand. 


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    Beth Rand, EBMS

    NEW! CruiseTechies blog - learn all about career opportunities for your vocational students in theatres aboard cruise ships
    https://www.cruisetechies.com/cruisetechies-blog

    8 FREE Action Steps: Level Up Support and Funding for your school theatre
    https://www.presett.org/8actionsteps.html

    www.CruiseTechies.com
    CruiseTechies@gmail.com
    Land based: www.PRESETT.org
    Westminster, CO
    ------------------------------



  • 8.  RE: Pit Cover

    Posted 10 days ago
    How to mitigate pit falls.  Here's what I used to do in the high school theatres I managed.  We had professional technicians, student crews, and school and outside events (and this is whether or not you have a pit net – but hopefully you do!):
    • Post a sign on each entrance door to the theatre, something like: Warning. The pit is open.
    • Post a similar sign on each stage entrance door.
    • Email all of the admin, performing arts teachers, and anyone else who is likely to use the theatre during the time the pit is open, letting them know the dates the pit will be open and the precautions that must be taken.
    • For each event (school, district or outside – doesn't matter where they come from) that might be happening while the pit is open – hopefully not, but things do get scheduled if you're not the one in charge of scheduling – send them an email, or provide them with a flier at the time of their production meeting (every event, no matter how small, should have one!), which states the dates that the pit is open and the rules regarding it, and that the event organizer must inform all of their participants. (They may not, but then that's not on you.)
    • Use a ghost light on the stage.
    • Leave on any lights in the pit at all times (obviously not during performances).
    • Leave on your pit surround lights – if you have them - at all times (especially during performances).
    • No one may go within 6' of an open pit.  (An OSHA rule that should apply to everyone in the theatre.) Even if this means that in order to get from the stage to the house, people must go through a hallway or another way around.
    • Use spike tape to tape a line 6' around the edge of the pit.  A dotted line is ok.
    • Anytime when there are no rehearsals or performances, hang a rope (preferably orange) between the proscenium walls – you may have to put in some eye-bolts or some other way to fasten it.  The rope should have signs hanging on it pointing upstage, so that anyone on the stage can read them, saying something like:  Open pit.  Do not enter.  Do not go within 6' of an open pit.
    • Students should never be allowed to hang over the wall of the pit from the house, and during performances ushers should make sure audience members don't hang over the pit wall.
    • And of course, make sure your pit net is on at all times other than performances.
    • If you are in the process of purchasing a pit net, consider getting one with a conductor hatch, so that the majority of the pit can remain covered even during performances.
    • All of the above applies even if you have a pit net. If you've ever seen a pit net, they are usually strung fairly sparsely, so even if a pit net did catch a fall, a person could still have a hand or foot go through the ropes at an odd angle, and with the force of the fall end up breaking an arm or a leg.
    What have I forgotten? Probably something. The above may seem overkill, and no one likes it, and yes, not everyone abides by the requirements, but at least you, as a school theatre teacher or technician, can say that you did everything you could to prevent a fall if a fall happens and you are blamed.  (Remember, courts typically rule in favor of the theatre, not the faller, because they were aware of the open pit, but you still want to cover your anatomy!). It's called Risk Management, not Risk Prevention, for a reason. 


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    Beth Rand, EBMS

    NEW! CruiseTechies blog - learn all about career opportunities for your vocational students in theatres aboard cruise ships
    https://www.cruisetechies.com/cruisetechies-blog

    8 FREE Action Steps: Level Up Support and Funding for your school theatre
    https://www.presett.org/8actionsteps.html

    www.CruiseTechies.com
    CruiseTechies@gmail.com
    Land based: www.PRESETT.org
    Westminster, CO
    ------------------------------