Overall, I would recommend using a real dog whenever possible. It adds believabilty and credibility.
Auditions: As others have noted, find a calm dog. Though the closer in appearance to a Cairn Terrier the better, demeanor is more important. For practical reasons, it's usually best to ask cast/crew members first. It allows the pet to have a familiar person there on a consistent basis for supervision.
Rehearsals: Allow enough rehearsals for the dog to bond with the key roles: Dorothy, Miss Gulch/Witch, Tin Man, Scarecrow, etc. I would suggest three weeks. That way it can also get used to going in the basket, "stealing" a sausage from Professor Marvel, being held by Dorothy, staying in place on stage (or even being held) during dance sequences, etc.
Supervision: On stage, a simple leash (not a modern-day extending cord version) works well, obviously nothing too tight around the dog's neck to follow Dorothy and companions on the Yellow Brick Road, though our Toto liked being held. The leash was helpful to hook to the wagon for Somewhere over the Rainbow and later for lightly tying to the fence rail when Dorothy,assists the Scarecrow. Of course, having specific people and places for the dog when it's not on stage is vital for care with water and bathroom breaks, especially at intermission. Because the play usually has many younger kids involved, extra care may be required to make sure they don't "play" with it in a disruptive manner.
Stuffed animal substitute: We had three scenes where we used a stuffed version of the same size and coloring. The first scene was the tornado. Because we were flying (using ZFX), we didn't want a live Toto twenty feet in the air even with Dorothy holding him. For the flying monkey scene, we had one monkey assigned to grab Toto and take him off. He didn't like the flying monkeys in the air or their scary appearances. He reappeared inside the Witch's castle and liked to run out the door on the escape cue...turkey bacon was a motivating factor for that and later in the Wizard behind the curtain scene. The final time was the flying back home after the clicking of the ruby slippers for the same reason as the tornado scene.
Photos are attached. The audience loves it near the start when Toto peeks out from the basket.
It's a very popular show, so I hope you have lots of seats for sale. We sold out our four performances, averaging well over 500 people per show, and sadly had to turn people away at the door because above 540 our limited view seats become basically no view.
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Cary Rice
Drama Director
Christian Academy of Louisville
Louisville, KY
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Original Message:
Sent: 05-02-2017 19:14
From: Lisa Singleterry
Subject: Toto for Wizard of Oz
My school is considering doing Wizard of Oz next year. We are interested in discovering how other theaters have dealt with the role of Toto. We don't really want to use a person to play this role. I love the idea of an actual dog onstage but am unsure how that works or where I would even find a dog. Has anyone done this show with a live dog and has anyone done it with maybe a stuffed animal and to what level of success? I'd love any input you can give!
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Lisa Singleterry
Portland Christian Schools
Elementary Music & Band Teacher
High School Drama Director
Masters of Arts in Teaching