This is an interesting question. I'm sitting here wondering how a dialect lesson could become sticky and then it hit me. Word choice and syntax
are wrapped up in socio-economic and regional baggage. But when you're dealing with dialect for the stage, though, the focus needs to be on the ways the words sound, and not what the words are or the ways in which sentences are constructed. Then, the colorful use of language is more about character choices and not regional stereotypes.
When I studied dialect, we were given short monologues for each. These monologues highlighted specific things about the areas. For example, the cockney dialect monologue was focused on being a Londoner. The Irish one was about peat fires. I'm fairly certain they were written by our instructor - Andrew Jack, dialect coach. Sadly, they're not on his website. I wonder if he still uses them? Anyway, he has a short and fun video tour of British accents which might help shift your students' focus.
http://andrewjack.com/extras/------------------------------
Kaila Schwartz
Theatre Arts, Director
Milpitas Unified School District
San Jose CA
------------------------------
Original Message:
Sent: 10-01-2018 09:29
From: Darren McGarvey
Subject: Dialect and Race
I'm trying to help Theatre I students break stereotypes and be sensitive to the features of racial dialects and differences without being offensive. The discussion came up today and it was a bit sticky. We're studying Voice and Articulation and all its features. Does anyone have any techniques, lessons, or ideas that can help me explore this with students in an open and accepting way?
--
Darren McGarveyIB Coordinator937-499-1662
English/Theater Teacher
937-499-2460