Yes, it's best not to cut a farce since the story is likely to be very complicated.
I've done a number of full-length ones, but if I can toot my own horn to an underappreciated show, I wrote a one-act farce set on the set of a 1940s radio drama, THE ASTONISHING ADVENTURES OF THE WHITE WEEVIL.
Here's the blurb: "It's 1942, and the radio drama of the White Weevil is in deep trouble. Have no fear-management has an idea to save the show: Introduce a female superhero, Mrs. Amazing! But the chauvinistic White Weevil doesn't want to give up his starring role, and the fact that they've cast his wife is driving him insane. If that weren't bad enough, the script is a mess, his youthful ward is having a fainting fit and they're going on the air in five minutes."
You can find it here:
https://www.youthplays.com/play/the-astonishing-adventures-of-the-white-weevil-by-don-zolidis-462
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Don Zolidis
Austin TX
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Original Message:
Sent: 06-13-2018 09:18
From: Maura Vaughn
Subject: One act farce
Consider doing one of The Coarse Acting show pieces by Michael Green. Look at Pride at Southanger Park.
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Maura Vaughn
The Branson School
Ross CA
Original Message:
Sent: 06-12-2018 16:56
From: Joseph Gels
Subject: One act farce
hey all,
I was thinking about doing a farce for my festival piece next year. Larger casts are preferred but not necessarily required.
40 minute show. Given how tightly written faeces usually are i would prefer not to do a cutting.
I am not looking for your typical playscripts show a la seussifications and the like. They are great in their own way but definitely looking for something a bit more advanced.
No limit on slammed doors.
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Joseph Gels
Theatre Teacher
Boston Latin School
Boston MA
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