I love 24-hour play festivals. There is a great energy that happens when everyone has to just "go for it" and audiences respond well to them. They make great fundraisers.
That being said, I think the stay-awake-and-write-all-night-long format is playwright abuse. There are other models. I don't think the plays written over a whole night are better because the writers have more time.
One model: New Dramatists, a playwrights' service organization and center for new play development (go visit them if you ever take students to NYC) does a yearly benefit and the writers have twenty minutes to write a "commissioned" play with parameters set by a two minute discussion with the donor. The pieces are cast from a pool of actors, regardless of age, race or gender, rehearsed while the patrons are having dinner and then presented as readings.
Another model: For several years I was part of The ATrain Plays in NYC, where playwrights write a play while riding public transportation. Each play had to take place on a subway train with characters entering and exiting. Around 6pm on a Friday or Saturday night, playwrights would meet at the 206th St station and pull a number our of a hat: 1,2,3 or 4. That would be the number of characters in each play. We then put the same number of headshots from the facilitator's bag those would be the actors we were writing for. We then got on the train and rode for two hours (hoping for once that the train would be delayed!) writing our plays as we rode. At the end of the line we would get off; directors would be waiting for us at the McDonalds at Far Rockaway and we would draw their names from a hat. We would then ride halfway back, to Columbus Circle, discussing the play with the directors and making adjustments to the script. At Columbus Circle the actors would greet us as we exited through the turnstile -- great excitement: "you're in my play!" Upstairs was a copy shop and we would photocopy the scripts. Then head to the Neighborhood Playhouse. We would sit in a circle, groups together, and read the first page or two and the last page so the producers could decide the running order. After that each team of playwright/director/actors would go into a classroom for a couple of quick readthroughs, discussion of the play and figuring out any special costume/prop requirements. After that we would all go home - around midnight. At ten or eleven the next morning we would show up for rehearsals. Afternoon would be tech, running lines if you weren't the show teching, and then the presentation in the evening on a set that looked like a subway car, with a live band playing preshow and between each scene.
I've seen many different 24-hour play productions and I like this format the best because everyone gets a good night's sleep. The actors are better able to remember their lines because they rehearsed, slept and then rehearsed again. The playwrights can enjoy the experience because they aren't sleep deprived.
Something you might add, besides selecting random lines or specific props, is to have the playwrights write A-Z plays. Each line begins with the next letter of the alphabet. It's fun to see how different writers deal with the hard letters, especially X & Z at the end. The writers have a structure to follow and the plays will stay short.
In short, I think two hours is plenty of time to write and less stressful. The A-Z plays can be written in twenty minutes even. Forcing playwrights to write all night means that they are too tired the next day to have much fun. Giving actors the chance to read through the plays and then sleep helps with memorization.
Have fun and thanks for giving opportunities for writing!
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Arlene Hutton
arlene@barrowgroup.org"Letters To Sala"
"Kissed the Girls and Made Them Cry"
"I Dream Before I Take the Stand"
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Original Message:
Sent: 04-20-2018 07:26
From: Amber Hugus
Subject: 24 Hour Play Fest
Has anyone had any experience with a 24 hour play festival? I mentioned this to my troupe, and now we are all in to plan one for next year. I'd appreciate any tips or advice or materials or really anything!
Thanks, everyone!
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Amber Hugus
Harmony PA
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