I have nothing to offer as to the nuts and bolts of becoming an adjudicator. However, allow me to plant a thought in the back of your mind.
As you move forward, and become a judge, remember what you are judging. It's going to vary by jurisdiction, but in general, something like a one act competition is an *acting* contest. Those two kids on a blank stage with a couple of hand props doing a classic bit of theatre? They should have as good a chance of winning as the huge group in the latest musical with the massive set, Broadway-level choreography, and custom costumes.
Now, if the competition is based on overall production values? Obviously group two is the winner. But each and every competition, ask yourself "What am I judging? What personal theatre preferences do I have that I must set aside to focus on the task at hand?"
There's a reason The Tony Awards separate plays, musicals, and revivals. You probably won't have that luxury. Judge each entry for what it is, and how it achieves the goal of the piece. "Waiting For Godot" and "The Sound of Music" are both classics of the American stage. In your average one-act competition, each should stand an equal chance at taking the trophy.
Scott
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Scott Piehler
Drama Director
Lilburn GA
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Original Message:
Sent: 12-11-2014 08:56
From: Dante Hill
Subject: Future Adjudicators
I am an Alumni of troupe 7400, and I have wanted to know the process of becoming a adjudicator! I was wondering if anyone had any pointers! I am a current student at The American Musical and Dramatics Academy and its a goal of mine!
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Dante Hill
American Musical and Dramatic Academy
Ypsilanti MI
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