First off, I love the Rolls! Secondly, recycling is the only way my theatre can survive: before I came to Atlantic, the Janitors would strike the show and use saws to hack up the set... needless to say, Stock scenery wasn't in the equation. Now, I tell them to stay away from the stage until strike is over. The trick is to store the set pieces after the show.
To The second question... Depending on the number of guys you have, You could do "The Mouse That Roared" - dramatic publishing. The script calls for an open stage with Three platforms (L, R, & C) but I see a cyc. with Black fabric "Tree" silhouettes (see attached) , and some gobos You can hide these by using an upstage blackout to hide them, then make
wagons from your platforms for showcase pieces (roll offstage if you have Wing space, or paint a flat and mount to the back; turn it around and it hides in plain sight)
Have fun!
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Matthew Smith
Director
Atlantic IA
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Original Message:
Sent: 12-08-2014 21:29
From: Michael Scroggins
Subject: The Great Gatsby
Hello everyone. This is my third set to ever construct, so give me some feedback.
We were able to use all of the flats from last year's "Annie" and "The Outsiders" plays, as well as three of the platforms. I'm a fan of recycling.
This year, my stagecraft classes constructed 7 stair units and 6 more platforms for this play. Our director is at a loss for what she'd like to produce next. She'd like something light hearted with some adventure that does not require much in costuming.
Suggestions anyone?
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Michael Scroggins
Sherwood AR
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