Many plays can be done with a minimal set, but even that minimalism has to be "designed" and be there for a reason.
I'm a full-time set designer, and the best set I've ever seen was at the Royal Shakespeare Company's home in Stratford-upon-Avon one summer when they were doing the four Henry plays, by Shakespeare, in rotating rep. The set for all four plays was a bare raked stage, and I do mean bare: no curtains, no legs or borders, no backdrop, nada. We could see all the way to the back wall of the theatre, to the sides of the stage, and up into the flies. Minimal furniture and props. But when the actors started to talk, we were grabbed and shaken and transported to wherever they wanted to take us. All four plays were beyond awesome. The RSC has deep pockets and lots of resources, and could have done anything they wanted, but that was the choice they made and we sat there thinking that massive and gorgeous sets would have been totally superfluous.
The biggest problem I've seen with minimalism over the years is a lack of commitment to the choice. So we end up with "we need this, we need that, oh, let's put a flat back there." Minimalism is about stripping away every physical thing that doesn't actually carry the story forward, and letting the actors take the lead. It's about putting the story--the real story--first and making some creative (and difficult) choices to keep everything visually consistent. But the results, like that summer at the RSC, can be an awesome theatrical experience for both the audience and the actors.
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George F. Ledo
Set designer
www.setdesignandtech.wordpress.comwww.georgefledo.net
Original Message:
Sent: 02-14-2016 14:21
From: Candice Corcoran
Subject: Simple staging
I am looking for some ideas on plays that will challenge my high school students but can be produced with a limited set and stage.
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Candice Corcoran
Kennesaw GA
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