I've had several of these conversations with my students in the last few months, a couple of them have read the article and enjoyed it: it gave them some extra perspective and confirmed things that had cropped up in our conversations.
What I do with the college aptitude conversation, as I call it, is strongly recommend college, talking about the value of the degree over the lifetime of the student (great example in the article about buying a car versus 'buying' a degree, and the difference between them; definitely something I will use going forward). I stress to them, from my own experience, that to 'make it' as a performer requires a great deal of sacrifice, one of which is weighing up the potential debt burden they'll have versus what they are likely to earn (i.e. between nothing and not a lot, for performers). I also try to steer them toward thinking about a couple of additional options: doing the BA in Technical Theatre, as this career path tends to have more job options (from what I'm told, they can't graduate technical theatre students fast enough to fill positions), or, alternatively, to consider an education degree with a concentration in English and theatre. As a theatre educator, this is the most theatre work I've done in my life in under three years, and I'm getting a very reasonable living wage from it. Granted, it's not 'professional' theatre, and working with students in this age of top-down-accountability-and-mandated education is very challenging, but teaching theatre is on its face a career with lots and lots of opportunities for dramatic expression. I have about three students who are working through high school and are planning to follow the education route so they can become theatre teachers. So proud. :)
I share this with them because as a teen I was absolutely pig-headed and believed sincerely that I would be the one to make it as a successful theatre actor. I thought very little of theatre teachers, and considered them to be just 'failed actors' and I think I even vowed that I would never, ever become a theatre teacher. Ever. God has a definite sense of humor.
Yes, my students are aware of the debt. I think they have a rough idea of what that could mean, but like your article posits, there's nothing like the reality of living it to understand it. My students are aware of what pursuing a theatre career means, and we talk about quality of life: it's entirely possible to eke out a living on a performer's wage, but it is difficult. Of the friends in my high school and graduate program, who were all equally pig-headed enough to believe we would be in the top 1%, only one has had some degree of 'professional' success, but that came more through their writing than performing. The rest of us have happily married, and have children, and thus the reality is different. And this becomes a part of the conversation with the student, because it becomes another choice they have to consider, along with what type of degree they should pursue, alongside what track in theatre they should pursue: ultimately, will they want to marry? Have children? Much will depend on how they answer these questions.
Thank you, Harper, for a great piece. It's helping us to continue the conversation with my students.
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Phillip Goodchild
Theatre Arts Instructor/Assistant Department Head of English
Ruskin FL
Original Message:
Sent: 02-04-2016 08:25
From: Harper Lee
Subject: Dramatics article on student loan debt
Hi everyone,
I wanted to share a piece I wrote for the February issue of Dramatics on student loan debt as it relates to young people who have degrees in theatre and are trying to make a living in the arts.
Shackled by Debt
Four years of actor training can provide everything you need to start a career -- except the ability to repay your student loans.
I wanted to know : are your students talking about student loan debt? Have you yourself been part of conversations on this issue? Do you have students who are looking at careers in theatre and are they concerned about paying for college and/or their debt load when they finish?
Would love to hear about your experiences with this issue and the discussions you've been part of in your own theatre communities.
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Harper Lee
Associate editor, Dramatics magazine
Cincinnati OH
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