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Has anyone done Christopher Sergel's To Kill a Mockingbird? I'm looking for ways to deal with the adult Narrator Jean Louise. I don't really want her to be in one place the entire time, but I want to be sure the audience knows who she is. Does anyone think she needs a special light and special area? That seems too predictable and maybe even boring to an audience. It seems more theatrical to move her about the stage in various scenes when she's delivering lines.

Has anyone done Christopher Sergel's To Kill a Mockingbird? I'm looking for ways to deal with the adult Narrator Jean Louise. I don't really want her to be in one place the entire time, but I want to be sure the audience knows who she is. Does anyone think she needs a special light and special area? That seems too predictable and maybe even boring to an audience. It seems more theatrical to move her about the stage in various scenes when she's delivering lines.

One thing that we did recently with a narrator in a production of BLUE that we adapted from the novel was to have our narrator move about the stage in a separate world, almost.  She was dressed in black and held the novel as if she was reading the story through out the play-- the play then, came to life in her imagination before the audience, this allowed her to move about in and among the scenes-- sometimes observing, sometimes interacting-- alla the Stage Manager in Our Town.  Stage hands moved scenery about and brought in needed costumes as required by the narrator.  It seemed to work very well.  I think a similar approach might work for you as well.

Has anyone done Christopher Sergel's To Kill a Mockingbird? I'm looking for ways to deal with the adult Narrator Jean Louise. I don't really want her to be in one place the entire time, but I want to be sure the audience knows who she is. Does anyone think she needs a special light and special area? That seems too predictable and maybe even boring to an audience. It seems more theatrical to move her about the stage in various scenes when she's delivering lines.

Sounds like you're committed to the Sergel script, but I have a memory of a different adaptation that has another character (Miss Maudie I think?) take on the narrator role and provide some of the adult perpective.  Can't remember the playwright offhand.

Has anyone done Christopher Sergel's To Kill a Mockingbird? I'm looking for ways to deal with the adult Narrator Jean Louise. I don't really want her to be in one place the entire time, but I want to be sure the audience knows who she is. Does anyone think she needs a special light and special area? That seems too predictable and maybe even boring to an audience. It seems more theatrical to move her about the stage in various scenes when she's delivering lines.

I just did that version of To Kill a Mockingbird in October.  Jean Louise was always on stage.  She was the first to enter and the last to leave each act.  She moved about freely to react to her memories of the events within the play, although not in a way to detract from the important action/dialogue occurring at a particular point in the show.