Thank you so much for your response. I have a lot to think about. I definitely want dimmer switches to set the lights, programming at the electrical box is too cumbersome and time consuming and there is very little to learn in the way of what lighting does or how it works in college or community theatre. I need some sort of interface to set different scenes. We have a panel outside the closet which houses the electrical boxes in the wings. It has eight buttons, so I can program eight different scenes. In our last production I only used three, five before that. I get a lot out of a follow spot in the back of the house. I know I can get more kids interested in tech and lighting design in particular if I had the right dimmer console so they can see the process in a more comprehensive way...I just wish I had a brand and model number NOT coming from salespersons.
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Edward Mielke
Florence OR
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Original Message:
Sent: 07-15-2015 06:19
From: Elizabeth Rand
Subject: Lighting Tech Issue
I won’t recommend any specific board (I actually like both Strand and ETC), but here’s some food for thought when looking for a light board:
If you are considering purchasing a new light board you don’t want to be in a situation where the light board is too high tech to be of any practical use. For instance, if you don’t foresee purchasing $2000.00 moving lights then there is no need to have a light board sophisticated enough to control moving lights.
Another thing to avoid is a small light board that has a multitude of functions. Some of these compact boards have so many functions that they’ve had to get very creative in how to access each function that it makes it too difficult for students to learn and retain how a basic board works. Be careful that the light board that you purchase doesn’t have too many steps/modes to go through just to perform simple functions such as patching, recording, play back, etc.
In addition, also watch out for light boards that don’t use standard industry nomenclature, such as “Cues” and “Subs”, for instance. Students don’t learn the common terms that are used in the rest of the live theatre industry, and those who already know the common terms will have to re-learn a set of new terms.
Some light board these days don’t have faders for channels and rely only on key pad entry. The choice of whether to go with one of these boards depends on the uses of your space and who the users will be. I personally find key pad entry too slow. When I’m designing lights I talk pretty fast and I want my light board op to keep up. I grit my teeth when I say “Bring channel 46 to 80 percent” and I have to wait to hear tap (Channel), tap (4), tap (6), tap (@), tap (8), tap (0), tap (Enter/*), when the light board op could have just reached over an in one movement moved a fader to 80. Of course, these days kids are so used to completing tasks electronically instead of physically, and there can be reasons why you would want a key pad entry in a more sophisticated situation. Again, it boils down to planning ahead and questioning who are your users and what are the uses of your board. It’s not always obvious to a casual user what the procedure is with a key pad board, while with a board with faders it’s pretty obvious that if you move a fader something will happen (and faders can be labeled). At least with a board with faders the operator has the option to use faders or the key pad, but with a board with only a key pad the operator does not have that option.
An expensive state-of-the-art board is not always the best choice. There is a school of thought that students should have the best technology available because they will soon go to a college or get a job where this technology is used and they will have a head start. However, usually the need to have an easy to learn light board trumps the need to have the best technology. This is primarily because students come and go. If you’re lucky you will have a freshman come in with a keen interest in lighting and stay for four years. But what usually happens is that either students come in expressing an interest and soon discover it’s not for them, or a student who is passionate has always thought the Drama program was only for actors, and only discovers tech in his/her junior or senior year.
So,for high school students I actually prefer a two-scene preset board (or a board with that option). I know people think I’m crazy, but then the students actually get a feel for what light does. I had a student at one high school who was our board programmer on an Element, she was also interested in learning design. She later got a gig designing and running lights for a small show at her community college. They just had a two scene preset board in their little theatre, so she was active the whole time during tech and the run of the show. She said to me, when I went to see her show, that now she “got” what the lights were doing, and could “feel” each cue she took. To me that’s the way to learn, not by punching on a key pad and a Go button. On the other hand, many people feel that high school students should have all of today’s technology (although you’d be surprised in the real world how few state-of-the-art boards there actually are).
So again it all depends on how intense a stage lighting program you will be setting up and what your goals are, but “purchase backwards” – decide the involvement of your students, what features you will need to achieve that, and then find a board that has those features.
The bottom line is that it’s awesome that you are doing this at all! Best of luck!
Beth
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Elizabeth Rand
High School Theatre Consultant
Rand Consulting and Design
Woodinville WA
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Original Message:
Sent: 07-09-2015 18:26
From: Edward Mielke
Subject: Lighting Tech Issue
Heeeelp!
I am in the process of establishing educational theatre in our school district. The stage I have to work with is located in a multi-use cafeteria they call "The Commons" I call it "Theatre in the Commons" We do have some lights on 12 channels (3 Parkans, 2 Lekos, 6 Fresnels and growing...), but they were designed to be controlled with a Strand 300 dimmer board, which is plugged into a Digital Environ electrical box (see pics). The Strand 300 dimmer board is shot--according to the fine folks at Strand Lighting.
This school was built in 2001 and the Strand 300 was never hooked up until I tried last year. In the past, teachers around here just used the breaker switches to turn the lights on and off for dances and the occasional choir concert. I have found some success programming each light channel to a button panel located outside of the light booth on the wall in the wings stage right. But I don't get any control on dimming up or down, it's time consuming, and there's a delay so I don't know if my programming "sticks" for sometimes hours. It's extremely frustrating.
My question is this: can I use another type of dimmer board, perhaps a Chauvet OBEY70 Universal DMX-512 Controller (like this one: http://www.amazon.com/dp/B001E9X7X8/ref=dra_a_cs_lb_hn_it_P3059_100?tag=dradisplay-20&ascsubtag=20dc5f8343aa89ea39fd76ba42057732_S_0_ti)?
Would this work? Do I have any other options other than trying to acquire a working Strand 300 or getting ours repaired, both of which have been fruitless thus far?
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Edward Mielke
Florence OR
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