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Community Spotlight: Jym Kinney

By Ginny Butsch posted 07-05-2016 08:58

  

 

 

One of the main goals for our Theatre Education Community is to help theatre students and professionals from all over connect and identify with each other in order to build resources and support the theatre education field. We shine a spotlight on a different member every other week by conducting a simple interview.

 

Our latest Spotlight Member is Jym Kinney, Troupe Director for Troupe 821 at Clover Park High School in Lakewood, Washington. Jym has been involved in the Community for over a year now, establishing himself as a supportive and thoughtful contributor.


Ginny: Why do you believe theatre is important?

Jym: From the very beginning, theatre has been a means to teach about the human condition. It has always been used to describe the internal thoughts and ideas that make us who we are. We are well aware that our Western tradition can be traced to the Ancient Greeks, who used theatre to reinforce culture and understanding of proper behavior. Our modern tradition is traced to morality plays, where theatre was reborn after being suppressed for centuries due to the moralities exhibited in the Roman era deemed inappropriate by the Roman Catholic Church. In the Eastern tradition, it consistently maintained its role as a means to teach and discuss moral and ethical lessons.

Ginny: What inspired you to become a teacher?

Jym: In high school (sometime during the last century), it was obvious that my teachers loved their jobs. Knowing I was going to spend most of my life working at some job, it needed to be something that could be enjoyed. Seeing their enthusiasm when students began to understand, and having some hint of that while working with other students and helping them with algebra and geometry sealed the deal for me. Teaching became my goal. Teaching Theatre in addition to Math came some years later.

Ginny: What is the most important advice you can offer to brand new teachers?

Jym: I just finished my second year teaching, so the ‘brand new’ tag nearly fits me as well. My mentor teacher told me that she learned a few ideas from me, her student teacher, that she would use herself. It was her 35th year of teaching, and she had already decided that she was going to retire that year. This taught me two things. First, there is always more that can be learnt about teaching. Secondly, you may not have experience, but your ideas still have value. Don’t let anyone tell you otherwise.

Ginny: What does a typical day look like for you?

Jym: Half an hour before the first bell, there are generally one or two students, waiting for me at the door to my classroom. Sometimes just as a place to gather before the day, sometimes wanting help with math or science classes. I arrived one day with only 25 minutes before the bell and they had written some 20 notes and slipped them under the door trying to get my attention, thinking I was in the room and ignoring them. After a full day of teaching, it’s on to rehearsal, tutoring, planning the next event, or the ever dreaded meeting. Hopefully, my planning period will have been sufficient for grading and preparing for the upcoming days, although this rarely happens. Essentially, I work half days in planning, teaching (Physics and Grade 9 Science this year), and directing. A half day being 12 hours. Celebrating student success is the motivator that keeps me going until summer hibernation.

Ginny: What is the resource you most recommend to other teachers?

Jym: Find a slightly more experienced teacher that still loves teaching in your building. Have coffee, lunch, or adult beverages with them at least once per month. Adult time is a vital coping mechanism.

Ginny: What is your favorite musical (or play)? What makes it so special?

Jym: When working on a production, it’s whatever we are producing. There is always some new nugget that gets uncovered during rehearsals and script analysis that makes the play even more interesting each day. Between productions, I couldn’t choose a single favorite. Among musicals, it’s Into the Woods. The plot is nicely woven together to try and answer the question, “What might life really be like when the ‘happily ever after’ part of the story ends?” Add to that Stephen Sondheim’s music and lyrics, which are simply elegant, sometimes hauntingly beautiful, and poignant. Among dramas, it’s the Bard’s own King Lear. The intertwined stories of lives being destroyed by greed and restored by love are simultaneously tragic and hopeful. For comedy, it’s a tie between Charley’s Aunt by Brandon Thomas, Servant of Two Masters by Carlo Goldoni, and Comedy of Errors by Uncle Will. I enjoy the complications that come from mistaken identities and entangling loyalties.

Ginny: What was the first play you ever saw?

Jym: I can barely remember what I had for lunch. (Did I have lunch today?) The first play I can remember seeing live was a high school production of A Zoo Story by Edward Albee. As the production rights for that are now available for professional groups only, my idea of having that show played by identical twins, who change parts between each performance, will have to keep simmering in the “maybe someday” category.

Ginny: Everyone has at least one good theatre story (a costume mishap, smoke alarms during performances, malfunctioning set pieces, etc). Tell us yours!

Jym: My first production as a Troupe Director was …a starting point. One actor had to be cut three days before opening. But that wasn’t the worst of it. For our second performance, one of the actors decided to go to a college/job fair on the same day. Call time was 1:30 p.m., he didn’t make it. Actors scrambled for a plan to cover for him. Curtain was at 3:00 p.m., he wasn’t there. His entrance came at 3:25 p.m., the Stage Manager told me he arrived at 3:20 p.m. The other actors let him go on …barely. They also kept him away from me for as long as possible.

Ginny: What is unique about your theatre program?

Jym: I can tell you our challenges, but am not sure if any of them, or a combination of them makes us unique.  We have no theatre or drama class at my school.  Use of the Performing Arts Center is managed by District Operations, who can take use of the space with hours or minutes of notice.  This means any set pieces need to be struck before the next school day.  The stage is used to sort and store large objects or shipments as it has the only a roll-up door and large floor area.  The space is rented every Sunday to a local church, any set pieces left up Friday night have to be struck on Saturday.  There seems a small electrical flaw in the lighting control system so that some dimmer channels don’t work, and sometimes the entire system stops working without notice.  The installed sound system usually works, but there was one time that turning on the phantom power gave our technician an electric shock.  All these challenges aside, we have amazingly dedicated Thespians, committed to improving their art using minimal sets, props, and technical support.  They inspire me on a daily basis.

Ginny: Name something on your bucket list.

Jym: A 5 gallon food grade plastic bucket (used for making fruit wine and/or soda). Did I take that question too literally?

Ginny: If you could have a different career, what would you choose?

Jym: And give up all this? Truthfully, it took me 31 years after graduating high school to become a teacher myself. I’ve had other careers, but this is the one I want. Although having the pay from my last career would be nice… Teaching is the career of my dreams.

Ginny: How do you relax after a busy day?

Jym: The end of a busy day usually involves an attempt at having family time, and finding myself being awakened for a meal or being told to go into the bedroom instead of snoring on the couch.

Ginny: What is your proudest accomplishment?

Jym: On May 30, 2016, after our first full year as a reinstated troupe, we held our First Annual Thespian Awards Night. Over 25 years earlier, I discussed dreams about being involved in Theatre Education with my college girlfriend (now my bride of 23 years). It was truly evidence of a dream come true.

Ginny: Do you have any hobbies or interests outside of theatre/writing?

Jym: Cycling. Not as much as it once was, being hampered from injuries caused by a careless driver.

Ginny: What is something we would be surprised to learn about you?

Jym: I retired from the U.S. Navy Reserve three years ago, and still can’t swim.

Ginny: What is your favorite part of the day?

Jym: Rehearsal time. As I continue to age, nap time, which is currently second, has been closing the gap.

Ginny: If you could live anywhere in the world, where would you go and why?

Jym: Scotland, the country that gave us golf, Simple Minds (“Don’t You Forget About Me”), Ewan MacGregor, David Tennant, Robert Burns, Sir Walter Scott, Robert Louis Stevenson, Lord Kelvin, Alexander Fleming, and so many other artists and geniuses. Edinburgh is home to the world’s largest arts festival. The basis of our Declaration of Independence and public education system came from the Scottish Enlightenment. Add to all that history and tradition, kilts, family heritage, and the relatively short drive it would be to see the Royal Shakespeare Company in Stratford-upon-Avon or the filming of Doctor Who at BBC Cardiff.

Ginny: What toy do you most remember from your childhood?

Jym: As much as I miss Yogi and Boo-Boo (my teddy bears), it has to be my LEGO® bricks. If you’ve seen “The LEGO® Movie,” there are accusations that Benny was based on me.

Ginny: Tell us about the best day of your life.

Jym: Hoping that my best day hasn’t happened, yet. There have been many wonderful, fabulous days… marrying my bride; the birth of our daughter; walking again after three months in a wheelchair; becoming a teacher; our first Thespian Awards night; and, that one day where our family celebrated the triple red letter day of our 21st wedding anniversary, me graduating with a Master’s of Education, and my bride graduating with a Bachelor of Arts (cum laude). If my best day is behind me, I’m not living right. Beethoven once wrote, “The true artist […] is sad not to have reached that point to which his better genius only appears as a distant, guiding sun.”

Jym’s hard work, colorful history and inspirational nature undoubtedly serve his students and school well. With only two years of teaching under his belt, we’re excited to see what else he will accomplish. If you enjoyed Jym’s interview as much as I did, add him as a contact in the Community!

 

Do you know someone who deserves a moment in the Spotlight? Tell me their name and why at gbutsch@schooltheatre.org. Want to read more Community Spotlights? You can find them here.

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07-05-2016 11:19

Thank you, Ginny, for the chance to answer a few questions while still cutting my teeth in a new career.
I should also mention that reading about our challenges may be a bit misleading. Last year, our State Thespian Advisor remarked how lucky we are to have an actual theatre space to reserve for evening and weekend performances, when compared to other schools. Our district is actively working to improve all aspects of the Performing Arts, including the facilities. Our greatest asset is the active support of the Administration in rebuilding a Theatre program at Clover Park High School.