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Community Spotlight: Raenell Smith

By Ginny Butsch posted 05-19-2015 13:51

  


One of the main goals for our Theatre Education Community is to help theatre students and professionals from all over connect and identify with each other in order to build resources and support the theatre education field. We shine a spotlight on a different member every other week by conducting a simple interview.

Our latest Spotlight Member is Raenell Smith, a Speech, Theatre and English teacher at Whiteland Community High School in Whiteland, Indiana. Raenell regularly offers creative solutions on everything from make-up hygiene to special effects. As a one-person theatre program, there doesn’t seem to be an aspect of theatre she hasn’t dabbled in.

Ginny: Why do you believe theatre is important?

Raenell: I believe theatre is important because great cultures and societies are created and remembered because of their art.  The arts are an integral part of how humans learn and express themselves, and theatre is the ultimate field integrating science, math, literature, visual aesthetics, writing, etc.  Learning about being human, teaching about difference, representing a little known point of view, exploring one’s self are all an essential part of the theatre.  At its core, theatre teaches us to be better people and create greater societies.  Not to mention what a sad and boring place the world would be without it.

Ginny: What is your favorite musical (or play)? What makes it so special?

Raenell: Jesus Christ Superstar.  I just love the music and the spectacle.  I enjoy the “twist” on a story everyone knows—the humanity of it.  The sonic and visual elements of it are such a departure from the traditional presentation of that story.  It requires you to think while you sing along. 

Ginny: What was the first role you ever played?

Raenell: I was in small parts prior, but my first major role was an evil step-sister in Cinderella in the 5th grade.  I have been wearing very thick glasses since a young age.  I am not sure if it was vanity or a directorial decision, but I performed without my glasses—not a good choice!  I can only see blobs and color just past a few inches from my nose.  I didn’t miss a line or an entrance, but I apparently made hilarious faces, missed a step, broke a mannequin and of course missed an exit by missing the exit.

Ginny: What inspired you to become a teacher?

Raenell: I don’t believe I was inspired to be a teacher.  I believe I was called to it.  I did not go to college to be an educator.  I actually protested the idea a lot.  I told everyone teachers were paid poorly and treated worse (ha!), and I didn’t know why anyone wanted to do that.  I went to college to major in theatre.  I had a life changing car accident my junior year of college in which lots of things came into question and became clear.  About the same time, I was studying educational theatre in my coursework.  I realized, despite all my protesting, that I was called to teach.  I added the education major upon my release from the hospital and return to school (which means I added time to my undergraduate degree too).

Ginny: If you could have a different career, what would you choose?

Raenell: Although not a “different” career, I would choose to be daring enough to work professionally in the technical theatre travelling.  The idea of putting up a complete live show in a different venue every night is exhilarating to me.  The idea of sleeping in a different bed every night terrifies me.

Ginny: What is your proudest accomplishment?

Raenell: That current and former students think enough of me and my teaching to nominate me for the Tony’s Excellence in Theatre Education.  I am painfully humbled and honored.

Ginny: What is something we would be surprised to learn about you?

Raenell: I am a homebody.  This usually shocks people—especially my students.  I am a very outgoing person who is always busy, always on the go, always travelling or going to a show, always working, etc., but I do love just being at home cleaning the house, planting a garden, finishing a project.  I like the silence of living alone (and the freedom).

Ginny: What toy do you most remember from your childhood?

Raenell: Weebles—the small 1970s version.  They were all the rage.  For Christmas one year, my very cool Aunt Pam bought me Weebles and their van and house. The problem was, “Weebles wobble but they don’t fall down.”  Which means, they don’t lay down either in their little Weeble beds and Weeble dog doesn’t stand on four feet… this made it very hard to create elaborate lives and stories for them.  I HATED them with a passion. I was caught one day on the enclosed back porch trying to use a hammer to destroy the Weebles. Problem was, I would hit a Weeble and his round bottom would cause him to skitter across the porch and escape his ultimate doom. Then the hammer would thud hard on the concrete and take up the paint. The Weebles left the house that day and never returned.  I remember them well, because I was in lots of trouble and because of the passionate way I disliked them. 

Between learning of Raenell’s “blind” performance in Cinderella and her attempt to smash Weebles, I don’t know that I have ever laughed so hard during a Spotlight. It’s essential that theatre teachers possess a sense of humor and an ability to roll with the punches, Raenell has obviously nailed both of these key traits. If you enjoyed her interview as much as I did, add her as a contact in the Community!

Do you know someone who deserves a moment in the Spotlight? Tell me their name and why at gbutsch@schooltheatre.org. Want to read more Community Spotlights? You can find them here.

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