Good questions, John. We've done The Laramie Project, RENT, Metamorphoses, Pippin, The House of Blue Leaves, Neverwhere. Before I met with any of the administrators, I made sure that I could articulate sound educational reasons for working on these productions, and that those reasons aligned with our school's mission and philosophy. These, I believe, were the most potent tools for getting the higher-ups to come on board. I assured everyone that our audiences would be aware of the content and that I would be happy to field phone calls or emails to answer any questions that might arise. I've spoken to parents of cast members as well as potential audience members to explain productions, content, and message. On some of the more audience-challenging pieces, I prepped the cast and arranged for post-show discussions with the audience. We have, on occasion, had push-back, mostly from parents. But I try to make sure that I've got the answers before the questions even arise, just in case.
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Michael Bergman
Teacher/Director
Alexandria VA
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Original Message:
Sent: 07-27-2015 08:26
From: John Friedenberg
Subject: pushing the envelope (re Kiss Me Kate/Heathers)
I would be interested in hearing what shows you have done that were chosen for the purpose (in part) of stretching your audiences/administrators.
Kathy Harris mentioned Spring Awakening (the play) in the discussion above.
Any others? And if so, what was the process of preparing your audiences/administrators and the response to the production?
--Jerf
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John Friedenberg
Director Of Theatre
Wake Forest University Dept of Theatre & Dance
Winston-salem NC
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